The study documents all the key aspects through which the cultural representation of the Nsukka town women is constructed. It seeks to investigate women’s involvement and participation in the cultural enactment of festivals, title-taking ceremonies, burials and funerals, marriage ceremonies, postpartum care, and conflict resolution, relying on materials from literature, ethnographic data, studies involving participant observation, and interview sessions with natives possessing a sufficient knowledge of culture and tradition. Data collected were examined using historical descriptive and analytical methods and the study is anchored in Jones Lewis’s theory of feminism which, among other criticisms, questions how much of our culture is based on patriarchal assumptions. The study found that even though women are subjugated in certain aspects of life, their involvement and participation in the enactments of cultural events and conflict management in Nsukka town give them some sense of belonging and that, without their involvement, such cultural and traditional events would not take place and their essence would be lost. These counter claim that men are often considered the drivers of cultural activities and as such belong to the public domain while women are confined purely to private life and domestic activities. The study is helpful in understanding the implications of women’s involvement and participation in the enactments of culture and tradition in Nsukka town.