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I. 서론 4

1. 연구의 의의와 목적 4

2. 연구범위와 방법 5

II. 본론 6

1. F. J. Haydn의 생애와 피아노 소나타 6

1) F. J. Haydn의 생애 6

2) F. J. Haydn의 피아노 소나타 8

2. J. Haydn의 Sonata No. 62 in E♭ Major, Hob. XVI:52의 작품 분석 16

1) 제 1악장(Allegro, 4/4, E♭ Major, 소나타형식) 16

2) 제 2악장(Adagio, 3/4, E Major, 복합3부형식) 28

3) 제 3악장(Presto, 2/4, E♭ Major, 론도-소나타형식) 34

III. 결론 45

참고문헌 47

ABSTRACT 49

초록보기

One of outstanding composers of the late eighteenth century is Franz Joseph Haydn(Austria, 1732-1809). He was born at Roharu, a little town in the eastern part of Austria near Hungarian border. He represents classical period in much the same sense that Bach and Handel represent the late Baroque period. Haydn had studied composition for himself, and was a patient, persistent worker, modest, and an excellent conductor. He received his first musical training from an uncle with whom he went to live at the age of six, and was given no systematic instruction in theory. And he was influenced by the pre-classical composers, studying their works, specially C. P. E. Bach "Prussian Sonata" as well.

But in spite of his self-study of musical theory, not only had he made an effort for the development of various technique in string quartet, but also he established the sonata form in composition. He made use of the two style of basic sonata form in his music world. The first style was studied by C. P. E. Bach and Wilhelm Fridemann Bach(Germany, 1710-1784) and that composed of three movement, fast-slow-fast. The second was strongly influenced by the style of Vienna of George Christoph Wagenseil(1715-1777). In those days he composed three symphonies, "The morning", "The noon" and "The Afternoon". But above all, he is well-known as a great composer of the six Messes and the oratorios. He also composed the two oratorios, "The Creation" and "The Season". And his last composition was the String Quartet Op. 103, which he completed only two movements.

The list of authenticated compositions includes 106 symphonies and 68 quartets, numerous overtures, concertos, divertiments. In added those works, he composed piano trios, 52 piano sonatas, serenades, string trios and cantatas. Most works which he composed are the symphonies and quartets. Therefore his finest achievements in this field are said to an instrumental composer.

The piano sonatas Haydn composed are followed by his symphonies and quartets, and some of them, No. 19 D major, and No. 31 A♭ major in the late 19th century are marked. They show that C. P. E. Bach must influenced to Haydn distinctly. There are 52 pianos sonatas in his piano works, and they are divided by 4 periods, following the style of compositional techniques and his musical periods.

The piano sonata written No.62 in E♭ major on this thesis was composed in the 4th period of his musical world at London in 1794, and it consists of three movements of the classical style of late sonata.

It shows the dotted rhythms very much, bolded harmonies, dynamic phrasing, long thematic melodies and the rapid modulations in the 1st movement which differs from other sonatas, and the theme is very lyric and rhythmical as well. The second movement consists of the compound ternary form, and it shows the characteristics of pre-classicism, such as many modulations, dynamic collision, and various rhythmic pattern. Specially, both the dotted rhythms and the gracious notes dominate over totally, and the arppegio, the notes with staccato, energy and brillant at the 3rd movement. This movement is sonata form, E♭ Major as the 1st movement. All measures are 307, which means the longest piano work among his piano sonatas. And there are many rest notes, sforzando, and fermata, which raise in tention in this movement, with many sequences and the sixteenth notes with fast passage.

In this sonata, it can be found various rhythms, wide range, brillant techniques, Clique modulation, and technique of thematic development, and this shows the styles of the classic sonata.

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