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國文要約 8

Ⅰ. 绪论 10

1. 论文的背景, 目的, 意义 10

(1) 研究背景 10

(2) 研究目的 11

(3) 研究意义 11

2. 研究内容, 方法 12

(1) 研究内容 12

(2) 研究方法 12

3. 黄梅戏研究现状 13

Ⅱ. 黄梅戏的历史 16

1.黄梅戏的起源 16

1) 安徽(晚), 江西(赣), 湖北(鄂) 三省交界说 17

2) 安徽省怀宁县起源说 17

3) 安徽省桐城罗岭镇起源说 18

4) 安徽宿松县起源说 18

5) 湖北省黄梅县起源说 19

6) 江西起源说 19

2. 黄梅戏的产生与成熟 21

(1) 黄梅戏的前身 21

(2) 黄梅采茶调的传播 21

(3) 采茶调与其他民间艺术的融合 23

3. 黄梅戏成熟过程 24

(1) 从花腔小戏到本戏 24

(2) 黄梅戏由安庆-上海-安庆 25

4. 建国前后, 中期黄梅戏的发展 26

(1) 1937~1949 (建国前) 黄梅戏的发展 26

(2) 新中国成立初期的黄梅戏 26

(3) 建国后期黄梅戏之 "梅开三度" 27

Ⅲ. 黄梅戏《天仙配》 32

1. 剧情梗概及创作背景 32

(1) 剧情梗概 32

(2) 创作背景 32

2. 《天仙配》的传播 34

(1) 国内大陆传播 34

(2) 港澳台传播 34

(3) 国际传播 35

3. 《天仙配》黄梅戏的创新 36

(1) 唱腔的创新 36

(2) 表演形式的创新 37

(3) 内容上的创新 38

Ⅳ. 黄梅艺术家-韩再芬 39

1. 简介及其人格魅力 39

(1) 人物简介 39

(2) 唱腔及表演特点 40

2. 对黄梅戏的推动及影响 43

(1) 让黄梅戏走出国门 43

(2) 打造"韩再芬"品牌 44

(3) 让黄梅戏与教育接壤 46

3. 黄梅戏多元化传播 47

(1) 城市文化客厅的再芬黄梅公馆 47

(2) 行走的剧场与线上传播 47

Ⅴ. 黄梅戏的传播 49

1.黄梅戏的传播方式更替 49

2. 黄梅戏的内容更替 51

3. 黄梅戏传受众群体更替 53

Ⅶ. 黄梅戏的传承与保护措施 55

1. 黄梅戏发展现存的问题 55

2. 黄梅戏的传承 57

3. 针对黄梅戏的保护措施 58

Ⅷ. 结论 63

Ⅸ. 参考文献 64

ABSTRACT 67

그림목차

〈图1〉 抖音平台关于安庆, 湖北黄梅戏起源争论言论 20

〈图2〉 陆洪非先生纪念馆及天仙配, 女驸马原稿 23

〈图3〉 影碟版天仙配及其剧照 33

〈图4〉 韩再芬女驸马及徽州女人剧照 40

〈图5〉 传播方式的改变 50

〈图6〉 韩再芬对传统戏服的改变 51

〈图7〉 抖音平台关于黄梅戏受众的更替言论 53

〈图8〉 黄梅戏小中高中生直接体验画面 59

〈图9〉 抖音平台关于黄梅戏二次创作后的点击量 60

〈图10〉 模仿体验韩现象体验黄梅戏戏服妆容 61

〈图11〉 开发各种黄梅戏周边 62

초록보기

 Anqing Huangmei Opera, as a precious part of China's outstanding traditional culture, has a long history of more than 200 years.Through stage performances, radio, film, television and other forms of communication, he has created prosperous and glorious periods such as "Mei Kai once", "Mei Kai twice" and "Mei Kai three times", deeply imprinted in the hearts of the people.Huangmei opera culture in Anqing has experienced a long process of gestation, development and maturity, and has been paid great attention to by government agencies and cultural departments.With the promotion of Huangmei opera culture to marketization, one of the objectives of this thesis is to further explore how to further expand the operation of Anqing Huangmei opera in the market.

The first chapter is a brief introduction to the background, purpose, significance and research methods of this paper, as well as the previous research that the author has mastered.

The second chapter introduces the development history of Huangmei Opera in Anqing in detail. Because the origin of Huangmei Opera has been debated for hundreds of years.This paper analyzes the development history of Huangmei Opera in the middle and late period before the founding of the People's Republic, laying the foundation for the development of the following contents.

Chapter 3 and Chapter 4 analyze Huangmei Opera's two indispensable works and performers. Chapter 3 analyzes Huangmei Opera's classic and most famous works, Tianxian Pai, and makes detailed research on its character charm and influence.

The fifth chapter analyzes the changes of the current Huangmei opera's communication mode, content and audience group.

The sixth chapter is to analyze the contents of the previous chapters and put forward their own opinions on the problems in the development of Huangmei Opera in Anqing.Huangmei Opera is a resounding cultural card in Anqing City and the entire Anhui Province.I hope that the younger generation will carry this unique business card to the world.

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