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Susan Glaspell(1876-1948), the representative female playwright in the history of the American theatre, has generated critical debates and drawn critical attention not only as the contemporary writer and colleague of Eugene O’Neill but also as a great female writer. Although she has been drawing feminists’ attention since her first inclusion in literary cannon in the 1980s, Glaspell still remains relatively on the margin of the critical studies and debates. This paper, focusing on Glaspell’s Bernice and Alison’s House, aims to restore the interests in her works and provoke more studies about her and her works by discussing Glaspell’s ‘aesthetics of absence’ and her absent heroines who are already dead.

Bernice and Alison’s House both show the whole process of exploring and constructing the identity of each absent heroine, whose ‘absent presence’ overwhelms the other living characters as the center of the stage. Giving more power to absence and silence than to presence and speech, both plays contain Glaspell’s strategy of paradox as her attempt to demolish the established gender-based system and to ‘make’ new orders and new values. Part I explores general characteristics of Glaspell’s ‘aesthetics of absence’ and her device of the absent heroine. Part II discusses the constructing process of Bernice’s identity and the significance of Bernice’s lie in terms of power, and examines how Bernice disrupts the myth of ‘the angel of the house’ by exercising power over her husband with her lie rather than the truth. Part III examines Alison’s problematic unpublished love poems about her forbidden love and how her works provoke debates about the ownership of artistic work. The involvement of male power in editing, publishing, and evaluating female writer’s works is also discussed. With Alison serving as the representative of female writers, and her house and her room serving as “a room of one’s own” for female writers, Glaspell raises questions about the absent female writers and their authorship. Finally, Glaspell achieves the paradox beyond the grave by highlighting how Bernice through her lie and Alison through her unpublished love poetry take presence to the people living, exercising their power beyond their death. Like her absent heroines, Glaspell herself, being absent for a while in the history of the theatre, goes beyond her absence and death, requesting her place in the literary history as a writer who deserves ‘constant and persistent’ critical studies.

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참고문헌 (28건) : 자료제공( 네이버학술정보 )

참고문헌 목록에 대한 테이블로 번호, 참고문헌, 국회도서관 소장유무로 구성되어 있습니다.
번호 참고문헌 국회도서관 소장유무
1 Aston, Elaine. “‘Meeting the Outside’: The Theatre of Susan Glaspell.” Difference in View: Women and Modernism. Ed. Gabriel Griffin. London: Taylor and Francis, 1994. 155-67. 미소장
2 Bach, Gerhard, and Claudia Harris. “Susan Glaspell—Rediscovering an American Playwright.” Theater Journal 44 (1992): 94-96. 미소장
3 Barlow, Judith E. “Susan’s Sisters: The ‘Other’ Women Writers of the Provincetown Players.” Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 259-300. 미소장
4 Ben-Zvi, Linda, ed. Susan Glaspell: Essays on Her Theater and Fiction. Ann Arbor: U of Michigan P, 1995. 미소장
5 Ben-Zvi, Linda, ed. Susan Glaspell: Her Life and Times. New York: Oxford UP, 2005. 미소장
6 Bigsby, C. W. E. A Critical Introduction to Twentieth-Century American Drama. Volume I: 1900-1940. Cambridge: Cambridge UP, 1982. 미소장
7 Bigsby, C. W. E. Introduction. Plays by Susan Glaspell: Trifles, The Outside, The Verge, Inheritors. Ed. C. W. E. Bigsby. Cambridge: Cambridge UP, 1987. 1-31. 미소장
8 Carpentier, C. Martha, ed. Susan Glaspell: New Directions in Critical Inquiry. Newcastle upon Tyne: Cambridge Scholars Publishing, 2006. 미소장
9 Carpentier, Martha, and Barbara Ozieblo, eds. Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Amsterdam and New York: Rodopi, 2006. 미소장
10 Czerepinski, Jackie. “Beyond The Verge: Absent Heroines in the Plays of Susan Glaspell.” Susan Glaspell: Essays on the Theatrical Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 145-54. 미소장
11 On the Edge: The Plays of Susan Glaspell 네이버 미소장
12 Gubar, Susan. “‘The Blank Page’ and the Issues of Female Creativity.” The New Feminist Criticism. Ed. Elaine Showalter. New York: Pantheon, 1985. 292-313. 미소장
13 Friedman, Sharon. “Bernice’s Strange Deceit: The Avenging Angel in the House.” Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 미소장
14 Gainor, J. Ellen. Susan Glaspell in Context: American Theater, Culture, and Politics 1915-48. Ann Arbor: U of Michigan P, 2001. 미소장
15 Glaspell, Susan. Alison’s House. New York: Samuel French, 1930. 미소장
16 Glaspell, Susan. “Bernice.” Plays by Susan Glaspell. Boston: Small, Maynard and Co., 1920. 157-230. 미소장
17 Glaspell, Susan. Susan Glaspell: The Complete Plays. Eds. Linda Ben-Zvi and J. Ellen Gainor. Jefferson: McFarland, 2010. 미소장
18 Hinze-Bode, Kristina. Susan Glaspell and the Anxiety of Expression: Language and Isolation in the Plays. Jefferson: McFarland, 2006. 미소장
19 Laughlin, Karen. “Conflict of Interest: The Ideology of Authorship in Alison’s House.” Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 219-35. 미소장
20 Makowsky, Veronica. Susan Glaspell’s Century of American Women: A Critical Interpretation of Her Work. New York: Oxford UP, 1993. 미소장
21 Makowsky, Veronica. “Susan Glaspell and Modernism.” The Cambridge Companion to American Women Playwrights. Ed. Brenda Murphy. Cambridge: Cambridge UP, 1999. 49-65. 미소장
22 McBride, Kecia Driver. “Silence and the Struggle for Representational Space in the Art of Susan Glaspell.” Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam: Rodopi, 2006. 159-82. 미소장
23 Noe, Marcia. Susan Glaspell: Voice from the Heartland. Western Illinois Monograph Series, No 1. Macomb: Western Illinois U, 1983. 미소장
24 Ozieblo-Rajkowska, Barbara. “The First Lady of American Drama: Susan Glaspell.” BELLS: Barcelona English Language and Literature Studies. 1 (1989): 149-59. 미소장
25 Ozieblo, Barbara, and Jerry Dickey. Susan Glaspell and Sophie Treadwell. London and New York: Routledge, 2008. 미소장
26 Papke, Mary E. Susan Glaspell: A Research and Production Sourcebook. Westport: Greenwood, 1993. 미소장
27 Rodier, Katharine. “Glaspell and Dickinson: Surveying the Premises of Alison’s House.” Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 195-218. 미소장
28 Waterman, Arthur E. Susan Glaspell. New York: Twayne, 1966. 미소장

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