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 Stephen Daldry's film The Hours is based on Michael Cunningham's Pulitzer Prize-winning novel of the same title, which describes three women's stories that revolve around Virginia Woolf's Mrs. Dalloway. Despite the postmodern literary techniques such as multiple narratives and daunting leaps in time and space that Cunningham's novel employs, Stephen Daldry successfully makes the novel into a 114 minutes film. Backed by the performances of such popular actresses as Nicole Kidman, Julian Moore, and Meryl Streep, the film smoothly handles the multiple narrative lines and clarifies the ideological implications surrounding the main characters. In his cinematic representation of multiple narratives, Daldry uses the swift camera swing technique with which he effectively juxtaposes a whole single day of three ordinary women who are respectively living in early 20^th^ century England, suburban LA in the 1950s, and contemporary New York. Weaving together the apparently fragmented scenes leaping across different time and space, the film makes the three narrative strands structurally parallel, contextually crossed, and thematically united.

Though, some critics have accused the film of distorting or misrepresenting the characters of the novel. However, those critics more or less ignore hypertextuality that is inevitable in the film adaptation of the novel. This essay sees the film The Hours not as a simply visual text of Cunningham's novel but as a hypertext to the novel. Thus, instead of discussing how the film misrepresents the characters of the novel, this essay more focuses on the cinematic representation of multiple narratives in Cunningham's novel The Hours. More specifically, this essay explores how Daldry juxtaposes the multiple narrative lines on the screen and how he endows his film with a thematic unity.

권호기사

권호기사 목록 테이블로 기사명, 저자명, 페이지, 원문, 기사목차 순으로 되어있습니다.
기사명 저자명 페이지 원문 목차
워즈워스 시의 역사적 상상력 : 「허물어진 농가」와 기타 시를 중심으로 여홍상 pp.5-25

에드먼드 버크의 미학과 정치 유경훈 pp.27-62

'드러내기'와 '감추기', 야누스적 디오니소스의 세계 : 『폭풍의 언덕』과 『주홍글자』를 중심으로 이광순 pp.63-92

로버트 프로스트 시의 운율 양상 연구 주미란 pp.93-112

번역에 있어서의 문화고유어의 중요성 및 번역전략 : 『카인의 후예』 번역을 중심으로 김도훈 pp.113-131

술부부사의 사건구조 기술에 관한 연구 박태규 pp.133-154

확장형 읽기를 통한 영어 독해능력 향상 김경훈, 임미란 pp.155-168

영어교과서의 듣기분석 : 제7차 개정 교육과정을 바탕으로 조은주, 정희정 pp.169-190

Cinematic representation of multiple narratives : juxtaposing, crossing, and uniting three women's stories in the film The hours Kwangsoon Kim pp.191-209

We have never been non-hybrid : the cyborg as our existential mode in the posthuman age Ho Rim Song pp.211-227

The effects of intervening narrators represented in William Faulkner's Absalom, absalom! Dong-In Cho pp.229-245

Korean college students' reflexive positions toward extensive reading and follow-up activities Ji-Hyun Byun, Hayriye Kayi-Aydar pp.247-267

The validity of subscores for a reading comprehension test: a bifactor approach Sae Il Choi pp.269-291

Learning to use English in Korean context : teacher-learners' perspectives Jae-Young Choi pp.293-320

참고문헌 (14건) : 자료제공( 네이버학술정보 )

참고문헌 목록에 대한 테이블로 번호, 참고문헌, 국회도서관 소장유무로 구성되어 있습니다.
번호 참고문헌 국회도서관 소장유무
1 Barthes, Roland. “The death of the Author.” The Norton Anthology of Theory and Criticism. Ed. Vincent Leitch. New York, London: W. W. Norton & Company, 2001. 미소장
2 Box Office Mojo. “The Hours.” Boxofficemojo.com/movies. 12/31/2011. Web. 01/02/2012. 미소장
3 Cohen, Patricia. “The Nose Was the Final Straw.” The New York Times. Feb. 15, 2003. B9+11. 미소장
4 Cunningham, Michael. The Hours. New York: Farrar, Straus, and Giroux, 1998. 미소장
5 Exquisite Moments and the Temporality of the Kiss in "Mrs. Dalloway" and "The Hours" 네이버 미소장
6 Haun, Harry. “Man of the Hours: Stephen Daldry Follows Billy Elliot with Literary Tale of Three Women.” Film Journal International 105.12 (2002): 10-12. 미소장
7 Michael Cunningham's The Hours and Postmodern Artistic Re-Presentation 네이버 미소장
8 Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. London: Routledge, 1988. 미소장
9 Iannone, Carol. “Woolf, Women, and ‘The Hours.’” Commentary 115.4 (2003): 50-53. 미소장
10 Newman, Herta. “Reading the Hours: A Transposition in Fiction and Film.” Virginia Woolf miscellany 64. (2003): 8-9. 미소장
11 “A Life as Potent and Dangerous as Literature Itself”: Intermediated Moves from Mrs. Dalloway to The Hours 네이버 미소장
12 Spengler, Birgit. “Michael Cunningham Rewriting Virginia Woolf: Pragmatist vs. Modernist Aesthetics.” Woolf Studies Annual 10 (2004): 51-79. 미소장
13 The Hours, Dir. Stephen Daldry, Perf. Nicole Kidman, Meryl Streep, Julianne Moore and Ed Harris, Miramax Films, 2002. 미소장
14 Weiner, Diane R. “A Meditation on Depression, Time, and Narrative Peregrination in the Film The Hours.” Depression and narrative: telling the dark. Ed. Hilary Anne Clark. Albany: SUNY Press, 2008: 157-64. 미소장

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