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Belton, John. American Cinema / American Culture 4th Edition. New York:McGraw-Hill, 2012. Print. |
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Film History Marches On!  |
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THE DO-IT-YOURSELF TEXT: THE EXPERIENCE OF NARRATIVITY IN SINGIN' IN THE RAIN  |
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Card, James. “More Than Meets the Eye” in “Singin’ in the Rain” and “Day for Night.” Literature/Film Quarterly 12.2 (1984): 87-95. Print. |
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Dance, Flexibility, and the Renewal of Genre in "Singin' in the Rain"  |
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Crafton, Donald. The Talkies: American Cinema’s Transition to Sound, 1926-1931. New York: Scribner’s, 1998. History of the American Cinema 4. Print. |
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Feuer, Jane. “The Self-Reflective Musical and the Myth of Entertainment.”Quarterly Review of Film & Video 2.3 (1977): 313-26. Print. |
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9 |
Hess, Earl J., and Pratibha A. Dabholkar. Singin’ in the Rain: The Making of an American Masterpiece. UP of Kansas, 2009. Print. |
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Juddery, Mark. “Breaking the Sound Barrier.” History Today 60.3 (2010): 37-43. Print. |
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Lev, Peter. Charles Harpole, ed. Transforming the Screen, 1950-1959. New York:Scribner’s, 2003. History of the American Cinema 7. Gale Virtual Reference Library. Web. |
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Parody, intertextuality, signature: Kubrick, DePalma, and Scorsese  |
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Mast, Gerald. Can’t Help Singin’: The American Musical on Stage and Screen. Woodstock: The Overlook Press, 1987. Print. |
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Petro, Patrice. Idols of Modernity: Movie Stars of the 1920s. New Brunswick: Rutgers UP, 2010. Print. |
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15 |
Singin’ in the Rain. Dir. Gene Kelly and Stan Donen. Perf. Gene Kelly, Donald O’Connor, Debby Reynolds. Metro-Goldwyn-Mayer. 1952. DVD. |
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16 |
Sklar, Robert. Movie-Made America: A Cultural History of American Movies. 1994. New York: Vintage, 2012. Print. |
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17 |
Stam, Robert. Reflexivity in Film and Literature: From Don Quixote to Jean-Luc Godard. New York: Columbia University Press, 1992. Print. |
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18 |
Wollen, Peter. Singin’ in the Rain. London: British Film Institute, 2012. Print. |
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