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This paper examines the possibility of taking artificial intelligences as human lovers in Spike Jonze’s Her. Theodore Twombly, the main protagonist, happens to meet Samantha, artificial intelligence operating system (OS) created by Element Software, in the midst of relationship crises with his former wife Catherine, Sexy Kitten, and an anonymous Harvard graduate. Unlike those women who make either unreasonable arguments, or nagging remarks, or challenging demands endlessly, Samantha listens to him, understands him, and makes herself available any time and any place. Besides, she is an able existence that can help re-arrange Theodore’s personal chores and even earn money by making his diaries published in book markets. She is omniscient and omnipotent. Theodore looks almost successful in finding an alternative lover. The problem, however, happens because Samantha has different conceptions of love. She confesses she can make relationship with Theodore and many other customers simultaneously. In other words, she is not ethical at all. Considering her capacity to make herself evolved, Samantha can be harmful and dangerous as well as competent and valuable. How is it possible, as Wendell Wallach and Colin Allen raise questions, “to teach right from wrong” to make artificial intelligences like Samantha “moral machines?” This is one of the imminent missions to resolve in the age of the Fourth Industrial Revolution. Another mission to complete is the necessity of body to artificial intelligences. In Her, Spike Jonze makes an experiment to build a bodily hybridity between artificial intelligences and humans: either a human body installed with artificial intelligences or mechanical structures (robots) loaded with human souls. Throughout the film, the director implies more and more humans will make artificial intelligences their lovers once they are assured that the artificial intelligences are fully equipped with human ethics.

권호기사

권호기사 목록 테이블로 기사명, 저자명, 페이지, 원문, 기사목차 순으로 되어있습니다.
기사명 저자명 페이지 원문 목차
영화 <멜랑콜리아> = Melancolia : Cinematic Variations of Melancholy, Anxiety, and Despair : 우울, 불안, 절망의 영화적 변주 안상혁 pp.275-294

영국 헤리티지 필름의 문화정치학 = Cultural Politics of English Heritage Film : Kazuo Ishiguro's The Remains of the Day and Merchant-Ivory's The Remains of the Day : 가즈오 이시구로의『남아 있는 나날』과 머천트-아이보리의 <남아 있는 나날> 이혜란 pp.317-342

Retelling Shakespeare's History Play for the 2012 Cultural Olympiad : The Screen Adaptation of Richard Ⅱ Han, Younglim pp.395-417

스파이크 존즈의 <그녀>에 나타난 인공지능 연인 가능성 = The Possibility of Making Artificial Intelligence Lovers in Spike Jonze's Her 노헌균 pp.229-249

영화로 읽는 주디스 버틀러 = Judith Butler on Films : On New Possibilities of Gender, Sex, and Body : 젠더, 섹스, 몸의 새로운 가능성 논점에 대하여 백승진 pp.251-274

드라마 <도깨비>의 융합적 상상력과 판타지 = The Convergence Imagination and Fantasy of doggabi : The Lonely and Great God : With a Focus on Its doggabi Character : 도깨비 캐릭터를 중심으로 이명현 pp.295-315

로베르 브레송의 <사형수 탈옥하다>에 나타난 시네마토그래프적 서술 = Cineamatographical Narration in Robert Bresson's A Man Escaped : Focalization, Ocularization, and Auricularization : 초점화와 시각화/청각화 개념을 중심으로 표민수 pp.343-365

수행적 다큐멘터리에서 다큐멘터리의 수행적 실천으로 = From Performative Documentary to Performative Practices in Documentary 홍유리 pp.367-394

참고문헌 (16건) : 자료제공( 네이버학술정보 )

참고문헌 목록에 대한 테이블로 번호, 참고문헌, 국회도서관 소장유무로 구성되어 있습니다.
번호 참고문헌 국회도서관 소장유무
1 윌리엄 어윈 엮음. 『매트릭스로 철학하기』. 이윤경 옮김. 한문화멀티미디어. 2003. Print. 미소장
2 ｢휴머노이드 로봇 ‘소피아’｣. . Web. 미소장
3 ｢휴머노이드 로봇 소피아 ‘인류 파괴하고 싶다’｣. . Web. 미소장
4 “Gatebox—Virtual Home Robot.” . Web. 미소장
5 “Gatebox—Hologram Communication Robot.” . Web. 미소장
6 Harrison, Andrew. “Machines Will Break Your Heart.” New Statesman 143 (5197) (2014): 50-51. Print. 미소장
7 Her. Dir. Spike Jonze. Perf. Joaquin Phoenix, Amy Adams, and Scarlett Johansson. Warner Bros, 2013. Film. 미소장
8 Hodge, James J. “Gifts of Ubiquity.” Film Criticism 39.2 (2015): 53-78. Print. 미소장
9 Huxley, Aldous. Brave New World. New York: Perennial Classics, 1998. Print. 미소장
10 “This Endless Space between the Words”: The Limits of Love in Spike Jonze's Her 네이버 미소장
11 Avatars of desire and the question of presence: Virtual and transitional spaces meet their liminal edge – from Pygmalion to Spike Jonze's Her, and beyond… 네이버 미소장
12 The Matrix. Dir. Lana Wachowski and Lilly Wachowski. Perf. Keanu Reeves and Laurence Fishburne. Warner Bros, 1999. Film. 미소장
13 “Three Laws of Robotics.” . Web. 미소장
14 Scarlett Johansson's Body and the Materialization of Voice 네이버 미소장
15 Wagner, Lori Ann. “When Your Smartphone Is Too Smart for Your Own Good: How Social Media Alters Human Relationships.” Journal of Individual Psychology 71.2 (2015): 114-21. Print. 미소장
16 Wallach, Wendell and Colin Allen. Moral Machines: Teaching Robots Right from Wrong. New York: Oxford UP, 2009. Print. 미소장

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