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This essay examines George Eliot’s perspective towards the past in her country novels and its ideological features. Problematizing George Eliot’s nostalgic standpoint, my research argues that the writer’s perspective works together with selected memories and sympathy for what she calls the “common people” in particular. As stereotyping is inevitable to some degree in the author’s shaping of a literary landscape, this study investigates how it is deeply related to the writer’s idealistic re-evaluation of rural England. Against the decline of the peasantry in England in the early nineteenth-century, George Eliot’s appeals to collective memories projected into the rural past evoke the notion of British nationalism in the end. Although the illusion of nostalgia is foregrounded as a landscape in her novels, such as Adam Bede and Silas Marner, the politics of memory works within their settings. This means that the signification of memories and even sympathy becomes exclusive due to their selectiveness. Therefore, this research also criticizes the limitation of the “we” that George Eliot imagines specifically when its mechanism is concentrated on building the identity of British nationalism. In spite of George Eliot’s emphasis on “our” attention to the life of the “vulgar citizen,” there appear to be other neglected or insignificantly treated “people,” like the gypsies in The Mill on the Floss, who are missing from the link created by the word “tie” that George Eliot promotes in her country fictions.

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『모비딕』 주인공론의 비평사적 조망과 전망 = A critical genealogy of the protagonist in Moby-Dick : mapping main characters in networked space : 연결망 공간의 주인공 조규형 p. 27-53

The pseudonym-effect of "George Eliot" Daun Jung p. 131-147

"The Ghost of a Fact" : the crisis of fictionality in Lord Jim Haram Lee p. 103-130

The landscape of memories and sympathy in George Eliot's country novels Young-Hyeon Ryu p. 77-101

하이브리드 탐정 = A hybrid detective : the thinking machine, Sherlock Holmes : 생각하는 기계, 셜록 홈즈 박창숙 p. 5-26

The incongruence of the individual and society as the provenance of mental degeneration in Norris’s McTeague Hyeng Kun Kim p. 55-76

참고문헌 (34건) : 자료제공( 네이버학술정보 )

참고문헌 목록에 대한 테이블로 번호, 참고문헌, 국회도서관 소장유무로 구성되어 있습니다.
번호 참고문헌 국회도서관 소장유무
1 Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature. Trans. William R. Trask. Princeton: Princeton UP, 1953. 미소장
2 Carroll, Alicia. Dark Smiles: Race and Desire in George Eliot. Athens: Ohio UP, 2003. 미소장
3 Cho, Son Jeong. An Ethics of Becoming: Configurations of Feminine Subjectivity in Jane Austen, Charlotte Brontë, and George Eliot. 2003. Texas A&M University. PhD dissertation. 미소장
4 Eliot, George. Adam Bede. Oxford: Oxford UP, 1998. 미소장
5 Eliot, George. Felix Holt: The Radical. London and New York: Penguin, 1995. 미소장
6 Eliot, George. The Mill on the Floss. Ed. Carol T. Christ. New York: Norton, 1994. 미소장
7 Eliot, George. “The Natural History of German Life.” Selected Essays, Poems and Other Writings. Ed. A. S. Byatt and Nicholas Warren. London and New York:Penguin, 1990. 107-39. 미소장
8 Eliot, George. Silas Marner. New York: Bantam Classic, 2006. 미소장
9 Ermarth, Elizabeth. Realism and Consensus in the English Novel. Princeton:Princeton UP, 1983. 미소장
10 Fisher, Philip. “Self and Community in The Mill on the Floss.” Making Up Society:The Novels of George Eliot. Pittsburgh: U of Pittsburgh P, 1981. 66-98. 미소장
11 Fraiman, Susan. “The Mill on the Floss, the Critics, and the Bildungsroman.”PMLA 108.1 (1993): 136-50. 미소장
12 Gombrich, E. H. Art and Illusion: A Study in the Psychology of Pictorial Representation. Princeton: Princeton UP, 2000. 미소장
13 Haight, Gordon S. George Eliot: A Biography. London and New York: Penguin, 1968. 미소장
14 Hardy, Barbara. The Novels of George Eliot: A Study in Form. London: The Athlone Press, 1963. 미소장
15 Helsinger, Elizabeth K. “Eliot’s Risky History.” Rural Scenes and National Representation: Britain, 1815-1850. Princeton: Princeton UP, 1997. 21-37. 미소장
16 Howe, Irving. “Faulkner and the Negroes.” William Faulkner: A Critical Study. Chicago: Ivan R. Dee, 1991. 116-37. 미소장
17 Jaffe, Audrey. The Victorian Novel Dreams of the Real: Conventions and Ideology. New York: Oxford UP, 2016. 미소장
18 Karatani, Kojin. Origins of Modern Japanese Literature. Trans. Brett de Bary. Durham and London: Duke UP, 1993. 미소장
19 Kim, Soyoun. “Displaced Women’s Quest for Home in Jane Eyre, Wide Sargasso Sea, and The Woman of Colour.” British and American Fiction 25.2(2018): 59-78. 미소장
20 Knoepflmacher, U. C. George Eliot’s Early Novels: The Limits of Realism. Berkeley and Los Angeles: U of California P, 1968. 미소장
21 LaCapra, Dominick. Writing History, Writing Trauma. Baltimore: Johns Hopkins UP, 2014. 미소장
22 Levine, George. The Realist Imagination: English Fiction from Frankenstein to Lady Chatterley. Chicago and London: U of Chicago P, 1981. 미소장
23 Lévi-Strauss, Claude. “Rousseau, Father of Anthropology.” The UNESCO Courier 16 (1963): 10-15. 미소장
24 Lewes, George Henry. “Realism in Art: Recent German Fiction.” Westminster Rev. (1858): rpt. in Literary Criticism of George Henry Lewes. Ed. Alice R. Kaminsky. Lincoln: U of Nebraska P, 1964. 미소장
25 Lovesey, Oliver. Postcolonial George Eliot. London: Palgrave Macmillan, 2017. 미소장
26 McDonagh, Josephine. “Space, Mobility, and the Novel: ‘The spirit of place is a great reality.’” A Concise Companion to Realism. Ed. Matthew Beaumont. Malden, MA: Wiley-Blackwell, 2010. 50-67. 미소장
27 Meyer, Susan. Imperialism at Home: Race and Victorian Women’s Fiction. Ithaca:Cornell UP, 1996. 미소장
28 Miller, J. Hillis. On Literature. London and New York: Routledge, 2002. 미소장
29 Moore, Barrington. Social Origins of Dictatorship and Democracy: Lord and Peasant in the Making of the Modern World. Boston: Beacon Press, 1967. 미소장
30 Nochlin, Linda. Realism. London and New York: Penguin, 1990. 미소장
31 Panofsky, Erwin. Perspective as Symbolic Form. Trans. Christopher S. Wood. New York: Zone Books, 1997. 미소장
32 Williams, Raymond. The Country and the City. New York: Oxford UP, 1973. 미소장
33 Williams, Raymond. Keywords: A Vocabulary of Culture and Society. Oxford: Oxford UP, 2015. 미소장
34 Yeazell, Ruth. Art of the Everyday: Dutch Painting and the Realist Novel. Princeton: Princeton UP, 2009. 미소장

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