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22대 대한민국 국회 국회정보길라잡이 국회의원검색
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This paper explores how Asian Americans’ psychological reality affects the representation of Asian characters in Asian American playwrights’ works.

Having been exposed to a series of systematic and institutional exclusion of white America for centuries, Asian Americans have come to conceive of whiteness as an object of perpetual loss, forming their identity as melancholic subjects. Borrowing ideas from David Eng and Shinhee Han’s “Racial Melancholia” which examines Asian Americans’ mental health, this paper illuminates how racial melancholia in reality seeps into the identity crisis of fictional characters, females in particular, using Julia Cho’s BFE (2005) as the primary text. To examine the viability of psychoanalytic ideas in the contemporary world, this paper firstly analyzes how Freudian concept of melancholia is racially expanded in Eng and Han’s theory. Then this paper moves on to illuminate Isabel’s racial melancholia in BFE, focusing on how futile pursuit of unobtainable white Phallus dominates her character, and how her melancholia is passed down to her daughter, Panny, despite her initial resistance. By examining BFE through an updated psychoanalytic frame of racial melancholia, this paper will argue that an acute diagnosis of Asian American community’s psychological reality lies at the bottom of Asian American writers’ voluntary representation of racial stereotypes.

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기사명 저자명 페이지 원문 목차
데비 터커 그린의 random에 나타난 인종과 애도의 윤리 = Race and the ethics of mourning in Debbie Tucker Green’s random 김유 p. 5-28
새러 룰 극에 나타난 기술과 여성, 그리고 소통 : Technologies, women, and communication in Sarah Ruhl’s Dead Men’s Cell Phone and In the Next Room or the Vibrator Play / Dead Man’s Cell Phone, In the Next Room or the Vibrator Play를 중심으로 김현아, 우미성 p. 29-64
Clybourne Park에 나타난 교차적 억압 = Intersectional oppression in Clybourne Park 이소민 p. 65-86
현대 미국 드라마에 재현된 남성 캐릭터의 모빌리티 = The mobility of male characters in modern American drama 이형식 p. 87-116

군중 속의 고독 : Solitude in public : reviewing 2021 Oregon Shakespeare Festival’s Fannie in the historical context of voting and solo performance / 투표와 1인극의 역사적 맥락에서 본 2021 오레곤 셰익스피어 페스티벌의 Fannie: The Music and Life of Fannie Lou Hamer 최석훈 p. 117-142

Body, voice, and identity in postdramatic theatre : plurality and interpretive possibilities in Heiner Müller’s Hamletmachine Pak, Sunghee p. 143-173
Spatializing the everyday in post-troubles Northern Ireland : Owen McCafferty’s Scenes from the Big Picture Lee, Hyungseob p. 175-201

After the peace : performing placelessness in David Ireland’s Cyprus Avenue Jang, Hye-sun p. 203-228
(The) narrativity and performativity of monologues and their affective implications : Wallace Shawn’s Grasses of a Thousand Colors Huh, Minji p. 229-250
Inheritance of loss : whiteness and racial melancholia in Julia Cho’s BFE Hyeon, Youngbin p. 251-279

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