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초록보기

In China, the image of bamboo represents the gentleman, the wise man, and the gods. In addition, ethically, it likens or symbolizes innocence, fidelity, emptiness, virtue, and justice. In contrast, in Buddhist scriptures made in India, bamboo is often used in sentences that symbolize bad things or things. So, in this thesis, among the bamboo images found in the Buddhist scriptures, the negative ones were searched and summarized as follows.

1) The appearance of lush bamboo sticking together is like obsession, the cause of suffering.

2) The bamboo flowers and fruits symbolize sickness and greed.

3) Compare the destruction that anger brings to people to the splitting of bamboo. Since banana tree and reed also have ecological characteristics similar to bamboo, these three plants are always compared to diseases, greed, and anger.

4) It compares the decay of a dead body with an insect eating a bamboo leaf, and a bamboo hole is an example of a dirty place where small creatures are generated.

However, the above are completely different from the bamboo in Chinese poetry and prose. In China, the same appearance is interpreted as follows.

1) The luxuriant bamboo stands for justice as they depend on each other to coexist.

2) The bamboo fruits are food for the phoenix. Therefore, its flowers and fruits are an auspicious symbol of the coming of the phoenix.

3) The bamboo is a sacred plant that conveys the Way of Sage because it is made by splitting bamboo to make a bamboo books.

As such, it can be seen that the Chinese and Indians had different views on the shape of bamboo. Then there is no need to be caught up in one fixed concept or notion of bamboo. In other words, if you break stereotypes, you can learn various and rich images. A lot of common sense or knowledge that is traditionally and uncritically taken for granted is in fact nothing more than a habit or custom.

권호기사

권호기사 목록 테이블로 기사명, 저자명, 페이지, 원문, 기사목차 순으로 되어있습니다.
기사명 저자명 페이지 원문 목차
王夫之 시론 중의 '現量'과 '詩的 想像'의 관계 고찰 = A study on the relationship between 'pratyaksa' and 'poetic imagination' in Wang Fuzhi's poetic theory 서성 p. 1-27

국립청화대학(國立淸華大學) 총장 나가륜(羅家倫)의 교육사상 연구 = The educational thoughts of Luo, Jia-Lun, president of Tsinghua University 이태준 p. 29-68

중국문화와 인도불교의 대나무 형상 비교 연구 = Comparative study on the images of bamboo viewed in Chinese culture and Indian Buddhism 장춘석 p. 69-86

국가대극원 <투란도트>의 재창작을 통해 본 중국 가극(歌劇)의 창작 경향 = Creative tendencies of China opera through the recreation of <Turandot> at National Center for the Performing Art 최명숙 p. 87-112

K-POP 가사의 중국어 번역 실태와 품질 : The present circumstances and quality of Korean-Chinese translation in K-POP lyrics : taking WINNNER[실은 WINNER] as an example / 위너(WINNER)를 중심으로 풍영원, 이근석 p. 155-183

고대중국어 名-動 상호전환에 관한 일고찰 = A study on the mutual conversion of nouns and verbs in ancient Chinese 이소동 p. 135-153

드라마 속 가족 갈등 서사를 통해 본 중국 여성의 위치와 역할 연구 : A study on the position and role of Chinese women through the narrative of family conflict in the drama : focusing on urban drama All is Well & I Will Find You a Better Home / 도시극 <도정호(都挺好)>와 <안가(安家)> 를 중심으로 김원희, 이종무 p. 113-133