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22대 대한민국 국회 국회정보길라잡이 국회의원검색
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This paper locates Patrick Shanley’s Doubt: A Parable in the context of a series of modern plays, which problematize accusation and its factual basis through their peculiar uses of the realist convention of revelation. Following suit from Lillian Hellman’s The Children’s Hour and David Mamet’s Oleanna which dramatize the accusations made at school, Doubt makes an issue of verifying the factual foundation of an accusation but sets itself apart from the two predecessors by its idiosyncratic abandonment of ‘the scenic’ portion of factual clues. Between ‘the scenic’ and ‘the verbal’ constituents of performative semiotics in the theatre, such abandonment leaves behind ‘the verbal’—the semantics of the languages of characters surrounding an accusation—as the only available source of reference for the audience’s moral judgement. The objective of this paper is to examine the mimetic politics of Doubt—its removal of ‘scenic’ clues that the audience can actually ‘see’ and consequent restriction of their resource to ‘the verbal’—and by doing that, align the play with its realist precursors. Its main argument is that Shanley conceives the postmodern unknowability through the scenic ‘atrophy’ or ‘exhaustion’ of fact, with the result that the whole game of accusation is locked within the fundamentally dissatisfying ‘semantic’ level. The paper finds this aesthetic choice by Shanley setting him apart from Hellman’s and Mamet’s strategies of revelation.

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기사명 저자명 페이지 원문 목차
해롤드 핀터의 Betrayal에 나타나는 안티-오이디푸스와 여성-되기 = Anti-Oedipus and woman-becoming in Harold Pinter's Betrayal 사공일 p. 5-27

처칠의 Here We Go와 Escaped Alone에 나타난 불안정성에 관한 고찰 = The contemplation of precarity in Caryl Churchill's Here We Go and Escaped Alone 우현선 p. 29-52
더 나은 배관설비를 위하여 : For a better plumbing system : literary allusions to King Lear appearing in Beckett's later works / 베케트 후기 작품에 나타난 King Lear에 대한 문학적 암시 이주엽 p. 53-82
Seeing and judging accusation : the mimetic politics of Shanley's Doubt Noh, Aegyung p. 83-107
Authentic yet parochial : legal and historical approach of the Vietnam War through Qui Nguyen's Vietgone Song, Jung-gyung p. 109-136
(The) game Samuel Beckett plays in Endgame Hwang, Jung-Suk p. 137-157

참고문헌 (11건) : 자료제공( 네이버학술정보 )

참고문헌 목록에 대한 테이블로 번호, 참고문헌, 국회도서관 소장유무로 구성되어 있습니다.
번호 참고문헌 국회도서관 소장유무
1 Bigsby, C. W. E. A Critical Introduction to Twentieth-Century American Drama Volume One 1900-1940. Cambridge: Cambridge UP, 1982. Print. 미소장
2 Cullingford, Elizabeth. “Evil, Sin, or Doubt? The Dramas of Clerical Child Abuse.” Theatre Journal 62 (2010): 245-63. nitro PDF professional. Web. 1 Feb 2022. 미소장
3 Hellman, Lillian. The Children’s Hour. New York: Dramatists Play Service, 1953. Print. 미소장
4 Mamet, David. Oleanna. New York: Dramatists Play Service, 1992. Print. 미소장
5 Melançon, Joseph. “Theatre as Semiotic Practice.” Trans. Paul Perron. Modern Drama 25.1 (1982): 17-24. Print. 미소장
6 New American Standard Bible. Colorado Springs: International Bible Society, 1960. Print. 미소장
7 Rezendes, Michael, et al. “Spotlight Report: Church Allowed Abuse by Priests for Years.” Boston Globe 6 Jan. 2002. ProQuest. Web. 1 Feb 2022. 미소장
8 Sauer, David Kennedy. “Oleanna and The Children’s Hour: Misreading Sexuality on the Post/Modem Realistic Stage.” Modern Drama 43 (Fall 2000): 421-41. Project MUSE. Web. 29 Jul 2021. 미소장
9 Shanley, John Patrick. Doubt: A Parable. New York: Theatre Communications Group, 2005. Print. 미소장
10 Spanke, Jeff. “A Holy Trinity: Crises of Communion in John Patrick Shanley’s Doubt.” Teacher Representations in Dramatic Text and Performance:Portraying the Teacher on Stage. Eds. Melanie Shoffner and Richard St. Peter. New York and London: Routledge, 2020. 104-16. Print. 미소장
11 Worthen, W. B. Modern Drama and The Rhetoric of Theater. Berkeley, Los Angeles, & Oxford: U of California P, 1992. Print. 미소장

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