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This paper compares and examines the representation of poverty and related discourses depicted in Ichiyo Higuchi's ‘New Year's Eve’ (Otsugomori) and Ju Yo-seob's ‘Dog Food’ (Gaebob). Both works are set against the backdrop of the transitional period from pre-modern to modern times experienced by Japan and Korea at different times. This is represented through the depiction of the occupations of the 'maid' and the 'Haengrang Mother,' which were excluded from the scope of modern domestic work. Additionally, these stories emphasize the sense of various absurdities brought about by poverty, which are inherited by the most innocent and vulnerable children.
In ‘New Year's Eve,’ the heroine Omine ends up committing a crime for Sannosuke, but also experiences an accidental process of atonement, while in ‘Dog Food,’ the struggle of Danseong's mother, driven by the primal sense of 'evil,' is prominently depicted. This is thought to reflect well the atmosphere of the respective periods, namely the Salvation Army's activities in Japan and the colonial rule in Korea.
The similarities between ‘New Year's Eve’ and ‘Dog Food,’ along with the contemporaneity of the theme of poverty, highlight the important universality that transcends time and space in exploring the relationship between literature and real society.
この論文では、樋口一葉の『大つごもり』と朱耀燮(ジュ・ヨソブ)の『ゲバブ』に描かれた〈貧窮〉の様相と関連する言説を比較検討した。これらの作品では、現代の家事労働の範疇から除外された「メイド」や「ヘンランオモム」といった職業女性たちが登場する。さらに、これらの物語は、〈貧窮〉によってもたらされるさまざまな不条理の感覚が、無垢で脆弱な子供たちに受け継がれるという予感を強調しているという点で共通している。一方、『大つごもり』では、主人公のお峯が三之助のために犯罪を犯すことになるのだが、偶然にその罪から逃れる贖罪の過程が描かれ、『ゲバブ』では、「アク」という本能に駆り立てられたタンソンの母の闘争が重きを持って描かれている。これは、各小説が執筆された時代、すなわち日本での救世軍の活動と朝鮮の植民地支配時代の雰囲気をよく反映していると考えられるのである。このように、『大つごもり』と『ゲバブ』の類似点は、文学と現実社会の関係を探る際に重要な普遍性を垣間見せ、さらに〈貧窮〉という文学的テーマの時代的な重要性を示唆するものと言える。*표시는 필수 입력사항입니다.
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도서위치안내: 정기간행물실(524호) / 서가번호: 국내09
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