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22대 대한민국 국회 국회정보길라잡이 국회의원검색
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This paper aims to explore representative narrative techniques in Toni Morrison's Beloved, which contributed to making the story of slavery and its survivors the great novel that won the Pulitzer Prize in 1988. Beloved treats slavery as a collective experience of African Americans, addressing issues such as history, motherhood, recovery of self, and the relationship between individuals and the community. These universal themes are built on unique narrative techniques rooted in black traditional culture. First, Morrison creates a world of magical realism, where magic is naturally combined with reality, based on the traditional beliefs and worldview of black people. In this ‘real unreal world,’ Beloved, the ghost of Sethe's dead daughter, serves as a guide to the truth of the past by stimulating characters to confront the nightmare of slavery. Another technique is the narration method of “circling the subject” around the main event, representing characters' painful rememories. The narration alternates between the past and the present, dealing with characters' fragmented memories and their current psychological state under the repression of past memories. Lastly, Beloved includes various kinds of storytelling by characters with the omnipresent narrator supplementing them. The storytelling is based on ‘call and response,’ the black oral tradition that involves other characters and readers as listeners. This kind of storytelling is very effective in helping characters understand one another, heal their trauma, and eventually recover their sense of self, with readers gaining a comprehensive understanding of the truth of the past.

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예이츠와 히니 시에 나타난 하위주체와 시적 재현 = Subaltern and poetic representation in Yeats and Heaney's poetry 강민건 p. 5-25

『햄릿』(Hamlet) 연구 = Hamlet, a hero of Renaissance : focusing on ancient classicism and Christian culture : 고전과 기독교 가치관을 중심으로 강희경 p. 27-59

『빌러비드』의 다층적 서술기법 연구 = A study on narrative techniques of Toni Morrison's Beloved 김선옥 p. 61-89

서사 공백 채우기와 마음-읽기를 통한 인지비평적 인물 분석 = A cognitive inquiry into the characters of The Human Stain through mind-reading and narrative gap-filling : 필립 로스의 『인간의 오점』을 중심으로 김준년 p. 91-142

(The) materiality of objects in poetry and science : William Wordsworth at a crossroads, a cross-cultural study Sohn, Hyun p. 143-182

해롤드 핀터의 The Lover에 나타나는 억압과 통합에 관한 연구 = A study on repression and integration in Harold Pinter's The lover : focusing on Freudian theory : 프로이트 이론을 중심으로 신희원 p. 183-209

추락하지만 완전히 좌절하지는 않는 = Fallen yet resilient : the characteristics of Ha Jin's representation of immigrants' transnational identities in A Good Fall : A Good Fall에서 하진이 재현하는 이민자들의 초국적 정체성의 특징 이유혁 p. 211-244

브라이도티, 이시구로 그리고 윈터슨의 ‘인간 너머’의 세상들 = Braidotti, Ishiguro and Winterson's 'post-human' worlds : on Never Let Me Go and Frankissstein : Never Let Me Go와 Frankissstein을 중심으로 임태연 p. 245-282

재번역 가설은 게임 번역에도 유효한가? = Does the retranslation hypothesis hold true for game translation? : a case study of Korean translations of <DIABLO Ⅱ> : <DIABLO Ⅱ> 시리즈 영한 번역 사례 연구 장대철, 이지민 p. 283-313

(The) cycle of trauma and its social and psychological impact in August Wilson's Fences Jeong, Youn-Gil p. 315-345

선정소설 쓰기를 중심으로 본 Little Women = Little Women : focusing on writing of sensation fiction 최하영 p. 347-375

신식민적 환경 폭력과 가난한 사람들의 저항 = Neocolonial environmental violence and resistance of the poor in Imbolo Mbue's How Beautiful We Were : 임볼로 음붸의 How Beautiful We Were 하상복 p. 377-410

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