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22대 대한민국 국회 국회정보길라잡이 국회의원검색
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소장정보 검색

국회도서관 홈으로 정보검색 소장정보 검색
결과 내 검색 동의어 포함
결과 내 검색 동의어 포함

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초록보기

Street dance can be said to be an open system that constantly collides by exchanging other substances, energy, form and form, and information existing between the external environment of the system and the internal environment around the system. The street dance system is composed of numerous subsystems, and the subsystem has numerous elements that make up it. All of these components have individual characteristics, rather than taking the same property, shape, method, and each element is a cultural system in which creative ideas emerge by forming a composition in various ways while forming collective interactions rather than individual ones.

Street dance complexity follows a process of multiple causation, not a process dominated or subordinated by any individual style, any inheritance and law of causation. In addition, it is not limited to a specific individual or group and can be said to be a process that proceeds in a complexly intertwined relationship. Street Dance battle culture is not only pursued by competition, but rather includes a sense of belonging, respect, respect, and altruism. Also, since this relationship is not linear and appears unpredictably nonlinear and non-equilibrium, the exchange is not one-way.

If the survival of today's culture depends on social change, that is, how to accommodate the external environment, the continuous cultural survival of street dance is caused by chance, improvisation, and openness rather than inevitability, which is changed by the level predicted by systematic logic.

The process of gaining popularity of street dance is also rapidly aggravated rather than gradually. Since street dance is difficult to control and predict due to intentional control or manipulation, a new order that could not be predicted continues to evolve into a culture due to the individual participants' active attitude and active self-organization. Therefore, it can be seen that the development process of street dance, which has emerged from subculture to mainstream popular culture, is carried out through fusion of various cultures and interaction between components between genres.

권호기사

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기사명 저자명 페이지 원문 목차
무용 교육에서 원시주의 음악의 활용 가치 탐색 = Exploring the educational value of primitivist music in dance education 김은수 p. 5-17

동시대무용의 탈코드와 결합의 통시적 연구 = A diachronic study on the decodification and combination of contemporary dance 한혜리 p. 19-30

재매개 뉴미디어 무용 수용자의 경험 연구 = A study on audience experience in remediated new media dance 백연 p. 33-47

체화된 인지 연구 동향과 무용교육과의 관계 연구 = The study on trends in embodied cognition research and its relationship with dance education 원상화 p. 49-61

몸의 고유성과 몸성의 확장 = Uniqueness of body and expansion of the bodinality 오레지나 p. 63-74

중세 미로 춤의 발전과 활용성 탐색 = Exploration of the development and applicability of medieval labyrinth dance 최경희 p. 77-96

댄스 웰니스에서 몸의 의미와 기능 변화 탐색 = Exploring the meaning and functional changes of the body in dance wellness 황정옥 p. 99-110

실용주의 관점에서 실용무용의 의미 고찰 = The significance of practical dance from pragmatism point 이우재 p. 113-131

스트릿 댄스의 창발과 상전이 = Emergence and phase transition of street dance 이주영, 류영욱 p. 133-145

한국무용 교육의 문화교류 기능과 교수자의 역할 탐색 = Exploring the teacher competency for the cultural exchange of traditional Korean dance 유화정 p. 147-168

하지근력 강화 한국무용프로그램 개발 및 적용 여성노인의 변화 사례 연구 = Case study on changes in elderly women developing and applying a Korean dance program to strengthen lower extremity muscles 조유진, 박정신 p. 171-185

움직임 창작 스마트 교육의 교육공학적 관점 적용 = Application of educational technology perspective in movement creation smart education 권혜인 p. 187-210

성인발레 브랜드 가치 상승과 종합적 마케팅 전략의 연계성 연구 = A study on the connection between adult ballet brand value increase and comprehensive marketing strategy 류봉원, 강태영 p. 213-232

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