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Contents

List of Illustrations ix

Preface xi

Acknowledgments xiv

Part I Apperances 1

Part II Artistic Practice, Production and Consumption 81

Part III Meaning: Conceived and Received 195

Part IV Critique of the Past and the New Science 299

Index 384

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Italian Baroque art 이용현황 표 - 등록번호, 청구기호, 권별정보, 자료실, 이용여부로 구성 되어있습니다.
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This anthology presents classic and recent scholarship on Italian art from 1600-1750, highlighting the key debates with which art historians continue to grapple.

  • Explores themes including: style or the visuality of art; artistic practices and production; artistic communication as projected and experienced; and artists’ interactions with the ancient world and with the new sciences
  • Examines the work of key painters, architects and sculptors from this period, including Caravaggio, Bernini, Guarini and Poussin
  • Published in the expanding Blackwell Anthologies in Art History series


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Grandeur, intensity, passion, and motion – these are the defining characteristics of art created during the Baroque period in 17th and early 18th-century Italy. This rich and turbulent era heralds the Age of Enlightenment, and Italian art engages closely with key intellectual debates of the period, including the secular vs. the sacred; the role of the individual within a Catholic state; and the rise of cultural politics over military might.

This anthology presents classic and recent scholarship on Italian art from 1600-1750, highlighting key debates with which art historians continue to grapple. Its essays explore the concept of style or the visuality of art; the creation and utilization of art; artistic communication as projected and experienced; and artists’ interactions with the ancient world and the new sciences. Italian Baroque Art is an innovative, intellectual, and instructional collection for students and lovers of 17th and 18th-century art.



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