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열기
자료명/저자사항
Italian Baroque art / edited by Susan M. Dixon 인기도
발행사항
Malden, MA ; Oxford : Blackwell Publishing, c2008
청구기호
709.45 D621i
자료실
[서울관] 서고(열람신청 후 1층 대출대)
형태사항
xvii, 390 p. : ill. ; 25 cm
총서사항
Blackwell anthologies in art history ; 6
표준번호/부호
ISBN: 9781405139663 (hardcover : alk. paper)
ISBN: 9781405139670 (pbk. : alk. paper)
제어번호
MONO2200813191
주기사항
Includes bibliographical references and index
내용: What is Baroque? / Erwin Panofsky -- The idea of the painter, the sculptor and the architect / Giovan Pietro Bellori -- Fighting with style / Phillip Sohm -- Bernini's conception of the visual arts: "un bel composto" / Irving Lavin -- Ars tornandi: Baroque architecture and the lathe / Joseph Connors -- A taste for Tiepolo / Svetlana Alpers and Michael Baxandall -- Practice in the Carracci Academy / Gail Feigenbaum -- Artemisia in her father's house / Patrizia Cavazzini -- Disegni, Bozzetti, Legn ...

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영문목차

Contents

List of Illustrations ix

Preface xi

Acknowledgments xiv

Part I Apperances 1

Part II Artistic Practice, Production and Consumption 81

Part III Meaning: Conceived and Received 195

Part IV Critique of the Past and the New Science 299

Index 384

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  • 출판사 책소개 (알라딘 제공)

    This anthology presents classic and recent scholarship on Italian art from 1600-1750, highlighting the key debates with which art historians continue to grapple.

    • Explores themes including: style or the visuality of art; artistic practices and production; artistic communication as projected and experienced; and artists’ interactions with the ancient world and with the new sciences
    • Examines the work of key painters, architects and sculptors from this period, including Caravaggio, Bernini, Guarini and Poussin
    • Published in the expanding Blackwell Anthologies in Art History series


    New feature

    Grandeur, intensity, passion, and motion – these are the defining characteristics of art created during the Baroque period in 17th and early 18th-century Italy. This rich and turbulent era heralds the Age of Enlightenment, and Italian art engages closely with key intellectual debates of the period, including the secular vs. the sacred; the role of the individual within a Catholic state; and the rise of cultural politics over military might.

    This anthology presents classic and recent scholarship on Italian art from 1600-1750, highlighting key debates with which art historians continue to grapple. Its essays explore the concept of style or the visuality of art; the creation and utilization of art; artistic communication as projected and experienced; and artists’ interactions with the ancient world and the new sciences. Italian Baroque Art is an innovative, intellectual, and instructional collection for students and lovers of 17th and 18th-century art.



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