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자료명/저자사항
Chinese entertainment / edited by Chan Kwok-bun 인기도
발행사항
Abingdon, OX ; New York, NY : Routledge, c2012
청구기호
306.48120952 -A12-1
자료실
[서울관] 서고(열람신청 후 1층 대출대)
형태사항
v, 198 p. : ill. ; 26 cm
표준번호/부호
ISBN: 9780415695565 (hbk.)
제어번호
MONO2201203565
주기사항
"This book is a reproduction of Visual Anthropoligy, volume 18, issue 2-3"--T.p. verso
Includes bibliographical references and index

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CONTENT

1. Entertainment: Enjoyment or Struggle? / Kwok-bun Chan

2. Chinese Entertainment, Ethnicity and Pleasure / Kwok-bun Chan and Sai-Shing Yung

3. Entertaining "Chineseness": Chinese Singing Clubs in Contemporary Bangkok / Frederick Lau

4. Performance Context as a Molding Force: Photographic Documentation of Cantonese Opera in Hong Kong / Sau Y. Chan

5. Made in China: The Gods Go East / Vanessa McLennan-Dodd and Keyan G. Tomaselli

6. Authenticating Geographies and Temporalities: Representations of Chinese Rock in China / Joroen De Kloet

7. The Poverty of Tourism under Mobilizational Developmentalism in China / Tak-Chuen Luk

Index

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  • 출판사 책소개 (알라딘 제공)

    Scholarly studies of Chinese culture, history and society, both within and outside of China, generally pay little attention to leisure, entertainment and amusement, though it has long been known that this aspect of life gives a deep understanding of the psyche and soul, and the hopes and fears, of a person. Leisure is a less coerced-upon, mandatory human conduct than work; certainly leisurely conduct is more voluntary, expressive and creative. But when seen as human behaviour, leisure and entertainment cannot be separated from history, heritage, ethnicity, the community, family and kin, rituals and customs ? thus a collective activity and its constraints on the person.

    This book examines a variety of genre of Chinese entertainment, from singing clubs, Cantonese opera and film, to Chinese rock and tourism. Though formally voluntary, Chinese entertainment, when entangled with ethnicity, heritage and history, is ironically a site of both enjoyment and struggle, both pleasure and suffering.

    This book was originally published as a special issue of Visual Anthropology.



    Richly illustrated with original photographs, this book examines Chinese entertainment ranging from film and opera to rock and tourism, on the mainland and outside it, in the Chinese diaspora. It argues that entertainment, when tied up with history, heritage and ethnicity, is a paradox, in that it is a site of both enjoyment and struggle, both pleasure and suffering. Chinese entertainment gratifies the senses as much as it confronts the mind and the soul.

    This book was originally published as a special issue of Visual Anthropology.



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