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Acknowledgments=xix

Introduction "An Invention without a Future"=1

1. THE AVANT-GARDE(S)=13

The Futurist Cinema (Italy, 1916) / F. T. Marinetti ; Bruno Corra, et al.=15

Lenin Decree (USSR, 1919) / Vladimir Ilyich Lenin=19

The ABCs of Cinema (France, 1917-1921) / Blaise Cendrars=20

WE : Variant of a Manifesto (USSR, 1922) / Dziga Vertov=23

The Method of Making Workers' Films (USSR, 1925) / Sergei Eisenstein=27

Constructivism in the Cinema (USSR, 1928) / Alexei Gan=29

Preface : Un chien Andalou (France, 1928) / Luis Buñuel=31

Manifesto of the Surrealists Concerning L'Age d'or (France, 1930) / The Surrealist Group=31

Manifesto on "Que Viva Mexico" (USA, 1933) / The Editors of Experimental Film=38

Spirit of Truth (France, 1933) / Le Corbusier=41

An Open Letter to the Film Industry and to All Who Are Interested in the Evolution of the Good Film (Hungary, 1934) / László Moholy-Nagy=44

Light*Form*Movement*Sound (USA, 1935) / Mary Ellen Bute=47

Prolegomena for All Future Cinema (France, 1952) / Guy Debord=49

No More Flat Feet! (France, 1952) / Lettriste International=50

The Lettristes Disavow the Insulters of Chaplin (France, 1952) / Jean-Isidore Isou ; Maurice Lemaître ; Gabriel Pomerand=51

The Only Dynamic Art (USA, 1953) / Jim Davis=52

A Statement of Principles (USA, 1961) / Maya Deren=56

The First Statement of the New American Cinema Group (USA, 1961) / New American Cinema Group.=58

Foundation for the Invention and Creation of Absurd Movies (USA, 1962) / Ron Rice=61

From Metaphors on Vision (USA, 1963) / Stan Brakhage=62

Kuchar 8mm Film Manifesto (USA, 1964) / George Kuchar=69

Film Andepandan [Independents] Manifesto (Japan, 1964) / Takahiko Iimura ; Koichiro Ishizaki, et al.=70

Discontinuous Films (Canada, 1967) / Keewatin Dewdney=72

Hand-Made Films Manifesto (Australia, 1968) / Thoms [Ubu Films]=76

Cinema Manifesto (Australia, 1971) / Arthur Cantrill ; Corinne Cantrill=77

For a Metahistory of Film : Commonplace Notes and Hypotheses (USA, 1971) / Hollis Frampton=78

Elements of the Void (Greece, 1972) / Gregory Markopoulos=86

Small Gauge Manifesto (USA, 1980) / JoAnn Elam ; Chuck Kleinhans=87

Cinema of Transgression Manifesto (USA, 1985) / Nick Zedd=88

Modern, All Too Modern (USA, 1988) / Keith Sanborn=89

Open Letter to the Experimental Film Congress : Let's Set the Record Straight (Canada, 1989) / Peggy Ahwesh ; Caroline Avery, et al.=100

Anti-100 Years of Cinema Manifesto (USA, 1996) / Jonas Mekas=102

The Decalogue (Czech Republic, 1999) / Jan Švankmajer=103

Your Film Farm Manifesto on Process Cinema (Canada, 2012) / Philip Hoffman=105

2. NATIONAL AND TRANSNATIONAL CINEMAS=109

From "The Glass Eye" (Italy, 1933) / Leo Longanesi=112

The Archers' Manifesto (UK, 1942) / Michael Powell ; Emeric Pressburger=116

What Is Wrong with Indian Films? (India, 1948) / Satyajit Ray=117

Buñuel the Poet (Mexico, 1951) / Octavio Paz=120

French Cinema Is Over (France, 1952) / Serge Berna ; Guy Debord, et al.=123

Some Ideas on the Cinema (Italy, 1953) / Cesare Zavattini=124

A Certain Tendency in French Cinema (France, 1954) / François Truffaut=133

Salamanca Manifesto & Conclusions of the Congress of Salamanca (Spain, 1955) / Juan Antonio Bardem=144

Free Cinema Manifestos (UK, 1956-1959) / Committee for Free Cinema=149

The Oberhausen Manifesto (West Germany, 1962) / Alexander Kluge ; Edgar Reitz, et al.=152

Untitled [Oberhausen 1965] (West Germany, 1965) / Jean-Marie Straub ; Rodolf Thome ; Dirk Alvermann, et al.=153

The Mannheim Declaration (West Germany, 1967) / Joseph von Sternberg ; Alexander Kluge, et al.=154

Sitges Manifesto (Spain, 1967) / Manuel Revuelta ; Antonio Artero ; Joachin Jordà ; Julián Marcos=155

How to Make a Canadian Film (Canada, 1967) / Guy Glover=157

How to Not Make a Canadian Film (Canada, 1967) / Claude Jutra=161

From "The Estates General of the French Cinema, May 1968" (France, 1968) / Thierry Derocles ; Michel Demoule ; Claude Chabrol ; Marin Karmitz=162

Manifesto of the New Cinema Movement (India, 1968) / Arun Kaul ; Mrinal Sen=165

What Is to Be Done? (France, 1970) / Jean-Luc Godard=169

The Winnipeg Manifesto (Canada, 1974) / Denys Arcand ; Colin Low ; Don Shebib, et al.=170

Hamburg Declaration of German Filmmakers (West Germany, 1979) / Rainer Werner Fassbinder ; Werner Herzog ; Wim Wenders, et al.=172

Manifesto I (Denmark, 1984) / Lars von Trier=173

Manifesto II (Denmark, 1987) / Lars von Trier=174

Manifesto III : I Confess! (Denmark, 1990) / Lars von Trier=174

The Cinema We Need (Canada, 1985) / R. Bruce Elder=176

Pathways to the Establishment of a Nigerian Film Industry (Nigeria, 1985) / Ola Balogun=183

Manifesto of 1988 (German Democratic Republic, 1988) / Young DEFA Filmmakers=192

In Praise of a Poor Cinema (Scotland, 1993) / Colin McArthur=194

Dogme '95 Manifesto and Vow of Chastity (Denmark, 1995) / Lars von Trier ; Thomas Vinterberg=201

I Sinema Manifesto (Indonesia, 1999) / Dimas Djayadinigrat ; Enison Sinaro, et al.=203

3. THIRD CINEMAS, COLONIALISM, DECOLONIZATION, AND POSTCOLONIALISM=207

Manifesto of the New Cinema Group (Mexico, 1961) / El grupo nuevo cine=209

Cinema and Underdevelopment (Argentina, 1962) / Fernando Birri=211

The Aesthetics of Hunger (Brazil, 1965) / Glauber Rocha=218

For an Imperfect Cinema (Cuba, 1969) / Julio García Espinosa=220

Towards a Third Cinema : Notes and Experiences for the Development of a Cinema of Liberation in the Third World (Argentina, 1969) / Fernando Solanas ; Octavio Getino=230

Film Makers and the Popular Government Political Manifesto (Chile, 1970) / Comité de cine de la unidad popular=250

Consciousness of a Need (Uruguay, 1970) / Mario Handler=253

Militant Cinema : An Internal Category of Third Cinema (Argentina, 1971) / Octavio Getino ; Fernando Solanas=256

For Colombia 1971 : Militancy and Cinema (Colombia, 1971) / Carlos Alvarez=258

The Cinema : Another Face of Colonised Québec (Canada, 1971) / Association professionnelle des cinéastes du Québec=264

8 Millimeters versus 8 Millions (Mexico, 1972) / Jaime Humberto Hermosillo ; Arturo Ripstein ; Paul Leduc, et al.=272

Manifesto of the Palestinian Cinema Group (Palestine, 1973) / Palestinian Cinema Group=273

Resolutions of the Third World Filmmakers Meeting (Algeria, 1973) / Fernando Birri ; Ousmane Sembène ; Jorge Silva, et al.=275

The Luz e Ação Manifesto (Brazil, 1973) / Carlos Diegues ; Glauber Rocha, et al.=284

Problems of Form and Content in Revolutionary Cinema (Bolivia, 1976) / Jorge Sanjinés=286

Manifesto of the National Front of Cinematographers (Mexico, 1975) / Paul Leduc ; Jorge Fons, et al.=294

The Algiers Charter on African Cinema (Algeria, 1975) / FEPACI (Fédération panafricaine des cinéastes)=296

Declaration of Principles and Goals of the Nicaraguan Institute of Cinema (Nicaragua, 1979) / Nicaraguan Institute of Cinema=298

What Is the Cinema for Us? (Mauritania, 1979) / Med Hondo=300

Niamey Manifesto of African Filmmakers (Niger, 1982) / FEPACI (Fédération panafricaine des cinéastes)=303

Black Independent Filmmaking : A Statement by the Black Audio Film Collective (UK, 1983) / John Akomfrah=307

From Birth Certificate of the International School of Cinema and Television in San Antonio de Los Baños, Cuba, Nicknamed the School of Three Worlds (Cuba, 1986) / Fernando Birri=309

FeCAViP Manifesto (France, 1990) / Federation of Caribbean Audiovisual Professionals=312

Final Communique of the First Frontline Film Festival and Workshop (Zimbabwe, 1990) / SADCC (South African Development Coordination Conference)=313

Pocha Manifesto #1 (USA, 1994) / Sandra Peña-Sarmiento=316

Poor Cinema Manifesto (Cuba, 2004) / Humberto Solás=318

Jollywood Manifesto (Haiti, 2008) / Ciné Institute=320

The Toronto Declaration : No Celebration of Occupation (Canada, 2009) / John Greyson ; Naomi Klein, et al.=321

4. GENDER, FEMINIST, QUEER, SEXUALITY, AND PORN MANIFESTOS=325

Woman's Place in Photoplay Production (USA, 1914) / Alice Guy-Blaché=328

Hands Off Love (France, 1927) / Maxime Alexandre ; Louis Aragon, et al.=330

The Perfect Filmic Appositeness of Maria Montez (USA, 1962) / Jack Smith=336

On Film No. 4 (In Taking the Bottoms of 365 Saints of Our Time) (UK, 1967) / Yoko Ono=344

Statement (USA, 1969) / Kenneth Anger=346

Wet Dream Film Festival Manifesto (The Netherlands, 1970) / S.E.L.F. (Sexual Egalitarianism and Libertarian Fraternity)=346

Women's Cinema as Counter-Cinema (UK, 1973) / Claire Johnston=347

Manifesto for a Non-sexist Cinema (Canada, 1974) / FECIP (Fédération européenne du cinéma progressiste)=356

Womanifesto (USA, 1975) / Feminists in the Media=359

Visual Pleasure and Narrative Cinema (UK, 1975) / Laura Mulvey=359

An Egret in the Porno Swamp : Notes of Sex in the Cinema (Sweden, 1977) / Vilgot Sjöman=370

For the Self-Expression of the Arab Woman (France, 1978) / Heiny Srour ; Salma Baccar ; Magda Wassef=375

Manifesto of the Women Filmmakers (West Germany, 1979) / Verband der Filmarbeiterinnen=376

Wimmin's Fire Brigade Communiqué (Canada, 1982) / Wimmin's Fire Brigade=377

Thoughts on Women's Cinema : Eating Words, Voicing Struggles (USA, 1986) / Yvonne Rainer=378

The Post Porn Modernist Manifesto (USA, 1989) / Annie Sprinkle ; Veronica Vera, et al.=382

Statement of African Women Professionals of Cinema, Television and Video (Burkina Faso, 1991) / FEPACI (Fédération panafricaine des cinéastes)=383

Puzzy Power Manifesto : Thoughts on Women and Pornography (Denmark, 1998) / Vibeke Windeløv ; Lene Børglum, et al.=385

Cinema with Tits (Spain, 1998) / Icíar Bollaín=388

My Porn Manifesto (France, 2002) / Ovidie=390

No More Mr. Nice Gay : A Manifesto (USA, 2009) / Todd Verow=392

Barefoot Filmmaking Manifesto (UK, 2009) / Sally Potter=396

Dirty Diaries Manifesto (Sweden, 2009) / Mia Engberg=397

5. MILITATING HOLLYWOOD=403

Code to Govern the Making of Talking, Synchronized and Silent Motion Pictures (Motion Picture Production Code) (USA, 1930) / Motion Picture Producers and Distributors of America=405

Red Films : Soviets Spreading Doctrine in U.S. Theatres (USA, 1935) / William Randolph Hearst=417

Statement of Principles (USA, 1944) / Motion Picture Alliance for the Preservation of American Ideals=420

Screen Guide for Americans (USA, 1947) / Ayn Rand=422

White Elephant Art vs. Termite Art (USA, 1962) / Manny Farber=432

Super Fly : A Summary of Objections by the Kuumba Workshop (USA, 1972) / Kuumba Workshop=440

Full Frontal Manifesto (USA, 2001) / Steven Soderbergh=441

6. THE CREATIVE TREATMENT OF ACTUALITY=445

Towards a Social Cinema (France, 1930) / Jean Vigo=448

From "First Principles of Documentary" (UK, 1932) / John Grierson=453

Manifesto on the Documentary Film (UK, 1933) / Oswell Blakeston=460

Declaration of the Group of Thirty (France, 1953) / Jean Painlevé ; Jacques-Yves Cousteau ; Alain Resnais, et al.=461

Initial Statement of the Newsreel (USA, 1967) / New York Newsreel=462

Nowsreel, or the Potentialities of a Political Cinema (USA, 1970) / Robert Kramer [New York Newsreel]=463

Documentary Filmmakers Make Their Case (Poland, 1971) / Bohdan Kosiński ; Krzysztof Kieślowski ; Tomasz Zygadło=464

The Asian Filmmakers at Yamagata YIDFF Manifesto (Japan, 1989) / Kidlat Tahimik ; Stephen Teo, et al.=469

Minnesota Declaration : Truth and Fact in Documentary Cinema (Germany, 1999) / Werner Herzog=471

Defocus Manifesto (Denmark, 2000) / Lars von Trier=472

Kill the Documentary as We Know It (USA, 2002) / Jill Godmilow=473

Ethnographic Cinema (EC) : A Manifesto/A Provocation (USA, 2003) / Jay Ruby=476

Reality Cinema Manifesto (Russia, 2005) / Vitaly Manskiy=478

Documentary Manifesto (USA, 2008) / Albert Maysles=479

China Independent Film Festival Manifesto : Shamans * Animals (People's Republic of China, 2011) / By several documentary filmmakers who participated and also who did not participate in the festival=480

7. STATES, DICTATORSHIPS, THE COMINTERN, AND THEOCRACIES=487

Capture the Film! Hints on the Use of, Out of the Use of, Proletarian Film Propaganda (USA, 1925) / Willi Münzenberg=490

The Legion of Decency Pledge (USA, 1934) / Archbishop John McNicholas=492

Creative Film (Germany, 1935) / Joseph Goebbels=493

Vigilanti Cura : On Motion Pictures (Vatican City, 1936) / Pope Pius XI=495

Four Cardinal Points of A Revolução de Maio (Portugal, 1937) / António Lopes Ribeiro=505

From On the Art of Cinema (North Korea, 1973) / Kim Jong-il=506

8. ARCHIVES, MUSEUMS, FESTIVALS, AND CINEMATHEQUES=517

A New Source of History : The Creation of a Depository for Historical Cinematography (Poland/France, 1898) / Bolesław Matuszewski=520

The Film Prayer (USA, c. 1920) / A. P. Hollis=523

The Film Society (UK, 1925) / Iris Barry=524

Filmliga Manifesto (The Netherlands, 1927) / Joris Ivens ; Henrik Scholte ; Men'no Ter Bbaak, et al.=525

Statement of Purposes (USA, 1948) / Amos Vogel [Cinema 16]=527

The Importance of Film Archives (UK, 1948) / Ernest Lindgren=529

A Plea for a Canadian Film Archive (Canada, 1949) / Hye Bossin=533

Open Letter to Film-Makers of the World (USA, 1966) / Jonas Mekas=534

A Declaration from the Committee for the Defense of La Cinémathèque française (France, 1968) / Committee for the Defense of La Cinémathèque française=539

Filmmakers versus the Museum of Modern Art (USA, 1969) / Hollis Frampton ; Ken Jacobs ; Michael Snow=540

Anthology Film Archives Manifesto (USA, 1970) / P. Adams Sitney=543

Toward an Ethnographic Film Archive (USA, 1971) / Alan Lomax=544

Brooklyn Babylon Cinema Manifesto (USA, 1998) / Scott Miller Berry ; Stephen Kent Jusick=555

Don't Throw Film Away : The FIAF 70th Anniversary Manifesto (France, 2008) / Hisashi Okajima ; La fédération internationale des archives du film Manifesto Working Group=556

The Lindgren Manifesto : The Film Curator of the Future (Italy, 2010) / Paolo Cherchi Usai=558

Film Festival Form : A Manifesto (UK, 2012) / Mark Cousins=559

9. SOUNDS AND SILENCE=565

A Statement on Sound (USSR, 1928) / Sergei Eisenstein ; Vsevolod Pudovkin ; Grigori Alexandrov=566

A Rejection of the Talkies (USA, 1931) / Charlie Chaplin=568

A Dialogue on Sound : A Manifesto (UK, 1934) / Basil Wright ; B. Vivian Braun=570

Amalfi Manifesto (Italy, 1967) / Michelangelo Antonioni ; Bernardo Bertolucci ; Pier Paolo Pasolini, et al.=572

10. THE DIGITAL REVOLUTION=575

Culture : Intercom and Expanded Cinema : A Proposal and Manifesto (USA, 1966) / Stan VanDerBeek=576

The Digital Revolution and the Future Cinema (Iran, 2000) / Samira Makhmalbaf=580

The Pluginmanifesto (UK, 2001) / Ana Kronschnabl=586

Digital Dekalogo : A Manifesto for a Filmless Philippines (The Philippines, 2003) / Khavn de la Cruz=588

11. AESTHETICS AND THE FUTURES OF THE CINEMA=593

The Birth of the Sixth Art (France, 1911) / Ricciotto Canudo=595

The Birth of a New Avant Garde : La caméra-stylo (France, 1948) / Alexandre Astruc=603

From Preface to Film (UK, 1954) / Raymond Williams=607

The Snakeskin (Sweden, 1965) / Ingmar Bergman=614

Manifesto (Italy, 1965) / Roberto Rossellini ; Bernardo Bertolucci ; Tinto Brass, et al.=616

Manifesto on the Release of La Chinoise (France, 1967) / Jean-Luc Godard=618

Direct Action Cinema Manifesto (USA, 1985) / Rob Nilsson=618

Remodernist Film Manifesto (USA, 2008) / Jesse Richards=619

The Age of Amateur Cinema Will Return (People's Republic of China, 2010) / Jia Zhangke=622

Appendix What Is a "Manifesto Film"?=625

Notes=629

Acknowledgments of Permissions=635

Index=641

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Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focussing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world.

This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.