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List of Illustrations=vii

List of Contributors=viii

1. Introduction / Nicola McDonald=1

2. Dr Witkowski's Anus : French Doctors, German Homosexuals and the Obscene in Medieval Church Art / Michael Camille=17

3. The Exeter Book Riddles and the Place of Sexual Idiom in Old English Literature / Glenn Davis=39

4. Representing Obscene Sound / Emma Dillon=55

5. Obscene Hermeneutics in Troubadour Lyric / Simon Gaunt=85

6. John Skathelok's Dick : Voyeurism and 'Pornography' in Late Medieval England / Jeremy Goldberg=105

7. Irish Sheela-na-gigs and Related Figures with Reference to the Collections of the National Museum of Ireland / Eamonn Kelly=124

8. Diet, Defecation and the Devil : Disgust and the Pagan Past / Carolyne Larrington=138

9. From Coilles to Bel Chose : Discourses of Obscenity in Jean de Meun and Chaucer / Alastair Minnis=156

10. Latin Literature, Christianity and Obscenity in the Later Roman West / Danuta Shanzer=179

Index=203

ILLUSTRATIONS

1.1. Vulva on horseback (modern replica)=3

1.2. Ambulant phallus (modern replica)=4

1.3. Woman pushing a phallus-filled wheelbarrow (modern replica)=4

1.4. Phallus-vulva pair (modern replica)=5

2.1. Bulbous bottom, crypt console, Bourges cathedral=18

2.2. Bespectacled bottom, detail of the side panel of a choir stall, Leon cathedral=24

2.3. Male exhibitionist, detail of city gates, Semur-en-Auxois=29

2.4. Bottom with acanthus, detail of frieze, exterior of south side chapel, Bourges cathedral=32

2.5. Naked bishop thrust into hell, detail of Last Judgement tympanum, Bourges cathedral=35

2.6. Devil with grinning bottom, detail of Last Judgement tympanum, Bourges cathedral=38

7.1. Baubo figure, found in a Greek trading settlement, Naukratis, Egypt=127

7.2. Greco-Roman figure of the satyr Silenus from Fayum, Egypt (phallus missing)=128

7.3. Exhibitionist or acrobat figure, chancel arch of the Nun's Church, Clonmacnoise, Co. Offaly=130

7.4. Small sheela-na-gig, Aghagower, Co. Mayo=130

7.5. Sheela-na-gig carved on a corbel from Birr, Co. Offaly=131

7.6. Sheela-na-gig, Ballylarkin, Co. Kilkenny=132

7.7. Sheela-na-gig, Cavan, Co. Cavan, as ugly and threatening=132

7.8. Sheela-na-gig, located over a yard gate at Moate castle, Co. Westmeath=134

7.9. Ivory pipe tamper recorded as having been found beside a castle in Co. Tipperary=135

7.10. Copper alloy tamper depicting a woman looking backwards through splayed legs=136

7.11. Copper alloy tamper depicting a well-endowed man looking backwards through splayed legs=136

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Obscenity is central to an understanding of medieval culture, and it is here examined in a number of different media.

Obscenity is, if nothing else, controversial. Its definition, consumption and regulation fire debate about the very meaning of art and culture, law, politics and ideology. And it is often, erroneously, assumed to be synonymous with modernity. Medieval Obscenities examines the complex and contentious role of the obscene - what is offensive, indecent or morally repugnant - in medieval culture from late antiquity through to the end of the Middle Ages in western Europe. Its approach is multidisciplinary, its methodologies divergent and it seeks to formulate questions and stimulate debate. The essays examine topics as diverse as Norse defecation taboos, the Anglo-Saxon sexual idiom, sheela-na-gigs, impotence in the church courts, bare ecclesiastical bottoms, rude sounds and dirty words, as well as the modern reception and representation of the medieval obscene. They demonstrate not only the vitality of medieval obscenity, but its centrality to our understanding of the Middle Ages and ourselves.

Contributors: MICHAEL CAMILLE, GLENN DAVIS, EMMA DILLON, SIMON GAUNT, JEREMY GOLDBERG, EAMONN KELLY, CAROLYNE LARRINGTON, NICOLAMCDONALD, ALASTAIR MINNIS, DANUTA SHANZER

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