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List of Figures=xi

List of Tables=xiii

Acknowledgements=xv

Foreword / JULIAN STRINGER=xvii

Introduction / ANDREW DAVID JACKSON ; COLETTE BALMAIN=1

PART I. The South=13

Introduction to Part I=15

1. It's a Roughneck World : Male Solidarity across Generations, Classes and Races in the TV Drama Get Up / JACOB KI NIELSEN=17

2. Blood is Thicker than Water, or is It? Depictions of 'Alternative Families' in Contemporary Korean Cinema / JI-YOON AN=35

3. The Narrative of the Misfit among South Korean Game Developers / CHLOÉ PABERZ=55

4. Locating Cosmopolitanism in the Films of E J-Yong / CHI-YUN SHIN=77

PART II. The South and the North=95

Introduction to Part II=97

5. 'Arirang' : Addressing the Nation in South and North Korea / JAKE BEVAN=101

6. Now on My Way to Meet Who? South Korean Television, North Korean Refugees and the Dilemmas of Representation / STEPHEN J. EPSTEIN ; CHRISTOPHER K. GREEN=119

7. Comedy and Ideology in My Family's Problem / IMMANUEL KIM=143

8. DPRK Film, Order No. 27 and the Acousmatic Voice / ANDREW DAVID JACKSON=161

9. How Are Historic Events Remembered? North Korean War Films on the Inchon Landing Operation / HANA LEE=177

PART III. The Global=193

Introduction to Part III=195

10. Ch'unhyang at War : Rediscovering Franco-North Korean Film Moranbong (1959) / MARK MORRIS=199

11. Framing South Korea and Vietnam's Past and Present in Muoi : The Legend of a Portrait / JESSICA CONTE=219

12. Searching for Traces of Absence : Korean Diaspora in Contemporary Korean Cinema / JUYEON BAE=239

13. Cosmopolitan Strivings and Racialisation： The Foreign Dancing Body in Korean Popular Music Videos / CEDARBOUGH T. SAEJI=257

14. Inappropriate Desire and Heterosexuality Negotiated : The Case of Women K-Drama Watchers / MARION SCHULZE=293

Notes on Contributors=321

Index=325

Tables

Table 1. List of Films in My Family's Problem Series=153

Table 2. Foreign Dancing Bodies in K-pop Videos (8. 2013-6. 2014)=263

Figures

Figure 1. Family Ties : Ch'ae-yǒn and her boyfriend's meal with Mi-ra and Mu-sin in the third episode.=43

Figure 2. An example of a family meal scene from Romance Papa.=44

Figure 3. Family Ties : Mi-ra and Mu-shin eat in silence.=45

Figure 4. My Family's Problem : The chief articulates his wife's command in his conversation with a worker.=151

Figure 5. 'Reception of the French delegation in North Korea', 1958 : from far left Claude Lanzmann, Armand Gatti, Jean-Claude Bonnardot.=201

Figure 6. Muoi : Legend of a Portrait : Sǒ-yǒn's gaze settles on Muoi.=225

Figure 7. Muoi : Legend of a Portrait : Yun-hŭi briefly looks at photographs telling the legend of Muoi.=226

Figure 8. Muoi : Legend of a Portrait : Sǒ-yǒn in front of Muoi's house.=230

Figure 9. Muoi : Legend of a Portrait : Sǒ-yǒn and Yun-hŭi in front of Sǒ-yǒn's mansion.=230

Figure 10. Muoi : Legend of a Portrait : Yun-hŭi and Sǒ-yǒn must bribe Ŭn-chǒng.=233

Figure 11. Muoi : Legend of a Portrait : 'I'm Ŭn-chǒng. That's my Korean name.'=233

Figure 12. Muoi : Legend of a Portrait : Sǒ-yǒn and Yun-hŭi prepare for a party.=236

Figure 13. Screen captures from Taeyang's 'Ringa-Linga' dance video.=271

Figure 14. Screen captures from Park Jiyoon's 'Beep' dance video.=273

Figure 15. Screen captures from TVXQ's 'Something' music video.=275

Figure 16. Screen captures from Taeyang's 'Ringa-Linga' music video.=277

Figure 17. Screen captures from Rain's 'La Song' music video.=278

Figure 18. Screen captures from Gary's 'Shower Later' music video.=283

Figure 19. Screen captures from Troublemaker's 'Now' music video.=284

Figure 20. Screen captures from 2NE1's 'Come Back Home' music video.=285

Figure 21. Screen captures from CN Blue's 'Can't Stop' music video.=286

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Korean screen cultures : interrogating cinema, TV, music and online games 이용현황 표 - 등록번호, 청구기호, 권별정보, 자료실, 이용여부로 구성 되어있습니다.
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The ≪Korean Wave≫, or Hallyu phenomenon, has brought South Korean popular culture to the global population. Studies on Korean visual culture have therefore often focused on this aspect, leaving North Korea sidelined and often considered in a negative light because of its political regime. Korean Screen Cultures sets out to redress this imbalance with a broad selection of essays spanning both North and South as well as different methodological approaches, from ethnographic and audience studies to cultural materialist readings. The first section of the book, ≪The South≫, highlights popular media ? including online gaming and television drama ? and concentrates on the margins, in which the very nature of ≪The South≫ is contested. ≪The South and the North≫ examines North Korea as an ideological other in South Korean popular culture as well as discussing North Korean cinema itself. ≪The Global≫ offers new approaches to Korean popular culture beyond national borders and includes work on K-pop and Korean television drama. This book is a vital addition to existing scholarship on Korean popular culture, offering a unique view by providing an imaginary unification of the two Koreas negotiated through local and transnational popular culture flows.

The ≪Korean Wave≫, or Hallyu phenomenon, has brought South Korean popular culture to the global population, but North Korean culture has often been overlooked. Korean Screen Cultures sets out to redress this imbalance with a broad selection of essays spanning both North and South, including essays on K-pop, television dramas, film and online games.

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