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List of Figures=xi
List of Tables=xiii
List of Audio and Video Examples=xv
Acknowledgments=xvii
Introduction : Capitalism, Music, and Social Theory=1
Music and Capitalism=6
Western Neoliberal Capitalism as a Cultural System=12
What Follows=15
1. A Brief History of Music and Capitalism before the Rise of Neoliberalism=20
Production of Musical Commodities=20
Capitalism and Musical Production=26
Artisans, Artists, Geniuses=31
Social Class, Markets, and Cultural Consumption=34
Youth=40
Conclusions=42
2. Neoliberal Capitalism and the Cultural Industries=44
Ideologies of Neoliberal Capitalism=45
The Cultural Industries as Industries=48
Brands and Branding=54
The Conquest of Cool―and the Culture=62
New Social Classes : The New Petite Bourgeoisie=63
Increasing Commodification=65
Consumption and/as Identity-Making=66
Plenitude=69
Music Supervisors=70
Search=71
Sociality=74
Art and Commerce=76
Advertising as Harbinger of the Present=78
3. Globalization=80
Globalization, Neoliberal Capitalism, and the International Music Industry=82
The Rise of "World Music"=88
Shifting Authenticities=90
Connoisseurs, Collaborators, Curators=97
Collaboration without Collaborators=101
Musicians in the Field of World Music in Neoliberal Capitalism=103
Case Study : Angélique Kidjo=103
Kidjo and "World Music"=104
Positions and Forms of Capital in the World Music Field=105
Gender=108
Oremi (1998)=109
Later Recordings=111
Ownership=114
4. Digitalization=118
New Sound Technologies : DIY Everything?=121
Remixing, Co-Creating=130
New Forms of Labor?=132
The Changing Nature of Work in the Commercial Music Industry=135
Longer, Harder=140
Digitized Music as a New Form of Music Objectified=145
Tactility=146
Ambivalences and Critiques=151
5. Singing in the Shadows of Neoliberal Capitalism=154
Motivated by Music=154
Burger Records : "Keeping the Teenage Spirit Alive"=161
6. Conclusions : Capitalism Is People, Too=177
Value in the Informal Logic of Actual Life=181
Notes=183
References=187
Unpublished Materials=187
Interviews=187
Other Unpublished Materials=188
Discography=188
Filmography=189
Books and Articles=189
Index=207
Audio and Viodeo Examples
Example 2.1. Microsoft Zune commercial featuring Common (c. 2008)=57
Example 2.2. "Music Icons" Pepsi commercial (2011)=58
Example 3.1. Solomon Linda : "Mbube" (1939)=114
Example 3.2. The Weavers : "Wimoweh" (1952)=114
Example 3.3. The Kingston Trio : "Wimoweh" (1959)=114
Example 3.4. The Tokens : "The Lion Sleeps Tonight" ("Wimoweh") (1961)=114
Example 3.5. The Lion King, "The Lion Sleeps Tonight" (1994)=114
Example 3.6. Kuo Ying-nan and Kuo Shin-chu : "Jubilant Drinking Song" ([1989])=115
Example 3.7. Enigma : "Return to Innocence" (1993)=115
Example 4.1. Tim Myers : "I Just Want to Thank You" (2013)=119
Example 5.1. Veloura Caywood : 14 Years, "Maximum Level Heartaches" (2013)=166
Example 5.2. Summer Twins : Summer Twins, "Got Somebody to Dream About" (2012)=166
Example 5.3. The Resonars : That Evil Drone, "World Apart" (2008)=167
Table 1.1. Ranking of Most Popular Classical and Semiclassical Musical Programs by Income Level (from Beville 1940, 202)=38
Table 3.1. Aspects of the International Phonogram Industry, 1981-82 (adapted from Wallis and Malm 1984, 112-13)=84
Table 6.1. Inequality of Total Income (Labor and Capital) across Time and Space (adapted from Piketty 2014, 249)=179
Figure 3.1. Putumayo Presents : World Hits (2007), Cover=93
Figure 3.2. Liam Lawton : The Clouds' Veil (1997), Cover=94
Figure 3.3. The Best of Celtic Music (2006), Cover 95
Figure 3.4. Angélique Kidjo : Ayé (1994), Cover=110
Figure 3.5. Angélique Kidjo : Fifa (1996), Cover=111
Figure 3.6. Angélique Kidjo : Oremi (1998), Cover=112
Figure 5.1. Brian Flores, Sean Bohrman, and Lee Rickard of Burger Records (photo by Peter Tran)=162
Figure 5.2. Cathy Illman (Veloura Caywood) (photo courtesy of Cathy Illman)=164
Figure 5.3. Kyle Thomas (King Tuff) (photo by Dan Monick)=165
Figure 5.4. The Summer Twins (photo by Joy Newell)=167
Figure 5.5. Matt Rendon (the Resonars) (photo by Winston Henning)=168
Figure 6.1. Income Inequality in the United States, 1910-2010 (from Piketty 2014, 24)=178
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