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List of illustrations=vii

List of contributors=x

Foreword / Ackbar Abbas=xiii

Acknowledgements=xv

1. Visual culture and interruption in global cities / Shirley Jordan ; Christoph Lindner=1

PART ONE CRISIS AND RUIN

2. Why we love 'interruption' : urban ruins, food trucks and the cult of decay / Richard J. Williams=17

3. Rescuing history from the city : interruption and urban development in Beijing / Jeroen de Kloet=31

4. Interrupting New York : slowness and the High Line / Christoph Lindner=49

5. Sound, memory and interruption : ghosts of London's M11 link road / David Pinder=65

PART TWO RESISTANCE AND RENEWAL

6. Suburbia, interrupted : street art and the politics of place in the Paris Banlieues / Gillian Jein=87

7. Looking at digital visualizations of urban redevelopment projects : dimming the scintillating glow of unwork / Gillian Rose ; Monica Degen ; Clare Melhuish=105

8. 'Here we are now' : Amsterdam's North-South metro line and the emergence of a networked public / Ginette Verstraete=121

9. Pop-up shops as interruptions in (post-)recessional London / Mara Ferreri=141

PART THREE BODIES AND SPACE

10. Interruption expanded : urban photography's perspicacious view / Hugh Campbell=159

11. Buildering, urban interventions and public sculpture / Bill Marshall=173

12. Interrupting the street / Shirley Jordan=193

References=211

Index=227

ILLUSTRATIONS

1.1. Jordi Colomer, Anarchitekton Brasilia, 2003.=4

1.2. Dionisio González, Novaacqua-Gasosa II, 2004.=6

1.3. Tuca Vieira, Paraisópolis, 2005.=7

2.1. Food trucks, Seattle, 2014.=25

3.1. Detail of Beijing scale model in the Urban Museum.=35

3.2. Xing Danwen, Urban Fiction 0.2004.=39

3.3. Xing Danwen, Urban Fiction 0.2004, detail.=39

3.4. Xing Danwen, Urban Fiction 17.2004.=40

3.5. Xing Danwen, Urban Fiction 17.2004, detail.=41

3.6. Hotel in Qianmen District before demolition in 2008.=43

3.7. Ou Ning, Meishi Street. Zhang Jinli writes a slogan on his house.=45

4.1. Future site of the High Line : building the West Side Line, c. 1933.=53

4.2. Billboard next to the High Line : Joel Sternfeld, Landscape with Path : A Railroad Artifact, 2011.=55

4.3. View from the High Line : rendering of Whitney Museum of American Art at Gansevoort, 2007-in progress.=57

4.4. Luxury living at the High Line : rendering of 520 West 28th Street.=58

4.5. Rendering of the Lowline at Delancey Street, 2012.=60

4.6. 'Pop Down' : proposal for Mail Rail urban mushroom garden in central London, 2012.=61

4.7. Stills from James Nares, Street, 2011.=63

5.1. Interrupting the street : protesters prepare for the final evictions at Claremont Road, London, 28 November 1994.=67

5.2. Claremont Road, London, summer 1994.=67

5.3. 'If my house was still there' : A12 Eastway, London.=69

5.4. Walking the motorway.=74

5.5. Linear Park, Grove Green Road, London.=77

6.1. Pantin sign and Fred le Chevalier, September 2013.=91

6.2. Grand Moulins, July 2004.=93

6.3. BNP buildings, July 2014.=94

6.4. CCIP building undergoing renovation in 2015.=100

6.5. Da Cruz, CCIP building, September 2013.=101

6.6. CCIP building with swans, September 2013.=102

6.7. CCIP building, July 2013.=103

7.1. A billboard showing a digital visualization of a building under construction in Leeds, UK, June 2013.=106

7.2. Stickers on a visualization of the Leadenhall Building in London, December 2013.=112

7.3. A view of the exhibition 'Architectural Atmospheres : Digital Placemaking in the Twenty-first Century', held at the Building Centre in London in August 2013.=117

8.1. R. Vincken, Arrow on Street. North-South line.=129

8.2. Krien Clevis, Station Rokin, 2014.=131

8.3. Krien Clevis, Tunnel Rokin, 2014.=132

9.1. Art in Store Fronts, Mission District, San Francisco (April 2010).=143

9.2. Images of the open shop as appeared on the Make : Do blog (November 2010).=146

9.3. Granville Arcade 'before'.=148

9.4. Photograph of Meanwhile Whitechapel pop-up shop.=151

10.1. Abelardo Morell, Brookline View in Brady's Room, 1993.=161

10.2. Abelardo Morell, Times Square in Hotel Room, 1997.=164

10.3. Abelardo Morell, The Chrysler Building in Hotel Room, NY, 1999.=164

10.4. Abelardo Morell, Boston's Old Custom House in Hotel Room, Boston MA, 1999.=165

10.5. Thomas Struth, 6th Avenue at 50th Street, New York, Midtown, 1978.=169

10.6. Thomas Struth, West 44th Street, Theater D, New York, 1978.=169

11.1. Still from The Emerald Forest (dir. John Boorman, 1985).=174

11.2. Still from The Emerald Forest (dir. John Boorman, 1985).=175

11.3. Nature/city contrast in buildering.=175

11.4. Ashley Holland, Guy's Hospital.=177

11.5. Builderer's grip.=182

11.6. Scaling a wall.=183

11.7. Bobby Gordon-Smith, Rock On Top of Another Rock.=186

11.8. Els Mistos.=187

11.9. Kamila Szejnoch, Swing, installation, memorial to the Berling Army Soldiers, Warsaw, 2008.=189

11.10. Statue of the Duke of Wellington, outside Gallery of Modern Art, Glasgow.=191

12.1. Beat Streuli, Bruxelles 05/06 11.=196

12.2. Beat Streuli, Sint-Pieters Station, Ghent, 2011.=198

12.3. Michael Wolf, Paris Street View No. 28,2009.=204

12.4. Michael Wolf, Paris Street View No. 9,2009.=206

12.5. Michael Wolf, Paris Street View No. 27,2009.=207

12.6. Beat Streuli, The Pallasades, 2001.=209

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Cities Interrupted explores the potential of visual culture - in the form of photography, film, performance, architecture, urban design, and mixed media - to strategically interrupt processes of globalization in contemporary urban spaces.

Looking at cities such as Amsterdam, Beijing, Doha, London, New York, and Paris, the book brings together original essays to reveal how the concept of 'interruption' in global cities enables new understanding of the forms of space, experience, and community that are emerging in today's rapidly transforming urban environments.

The idea of 'interruption' addressed in this book refers to deliberate interventions in the spaces and communities of contemporary cities - interventions that seek to disrupt or destabilize the experience of everyday urban life through creative practice. Interruption is used as an analytic and conceptual tool to challenge - and explore alternatives to - the narratives of speed, hyper-mobility, rapid growth, and incessant exchange and flow that have dominated critical thinking on global cities.

Bringing art and creative practice into the centre of discussions about the future of cities, alongside discussions of development, design, justice, health, sustainability, technology, and citizenship, this book is essential reading for anyone working at the intersections of a range of urban, cultural and visual fields, including urban studies, urban design and architecture, visual studies, cultural studies, media studies, art history, and social and cultural geography.

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