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List of Figures
Acknowledgements
Introduction
1 Defining Place
2 Representing Everyday Life and Place
3 Art-Geography Collaboration and the Potential of Graphic Design
4 Understanding Everyday Life and Place
5 Non-Linear Narratives of Food, Belonging and Multi-Culturalism: Food Miles - A Culinary Journey From Kingsland Road To Stamford Hill
6 Home-Making, Memories and Materiality: Stuff
7 An Embodied, Affective Experience of Place: Old Town
Conclusions
Index

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Creative representations of place 이용현황 표 - 등록번호, 청구기호, 권별정보, 자료실, 이용여부로 구성 되어있습니다.
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Cultural geography and the social sciences have seen a rise in the use of creative methods with which to understand and represent everyday life and place. Conversely, many artists are producing work that centres on ideas of place and space and utilising empirical research methods that have a resonance with geographers. This book contributes to the body of literature emerging from such creative approaches to place.

Drawing together theory and practice from cultural geography, anthropology and graphic design, this book proposes an interdisciplinary geo/graphic process for interrogating and re/presenting everyday life and place. A diverse set of research projects highlights participatory and autoethnographic approaches to the research. The sites of the projects are varied, encompassing the commercial space of grocery shops, cafes and restaurants, the private, domestic space of the home, and a Scottish World Heritage site. The theoretical context of each project highlights the transferability of the geo/graphic process, with place being variously framed within discussions of food, multi-culturalism and belonging; home, collecting and meaningful possessions; and, materiality, memory and affect.

Themes in the book will appeal to researchers working in the creative methods field. This book will also be essential supplementary reading for postgraduate students studying Cultural Geography, Experimental Geographies, Visual Anthropology, Art and Design.



This book stems from a belief that the practice of print based graphic design can offer a great deal to cultural geographic practices and theories relating to the understanding and representation of place. By using print-based graphic design to extend existing qualitative methodologies, the author seeks to activate the ‘multi-sensory’ and non-representational aspects of print to help reveal the richness and complexity of place. The ultimate aim of the book is to articulate a geo/graphic design process that is not specific to one particular site, but one that is adaptable and transferable, and therefore can respond equally well to very different situations.



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