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Part 1: Origins of Synesthesia
1: The prevalence of synesthesia: The consistency revolution, Donielle Johnson, Carrie Allison, and Simon Baron-Cohen
2: The genetics and inheritance of synaesthesia, Julian E. Asher and Duncan A. Carmichael
3: Synesthesia in infants and very young children, Daphne Maurer, Laura C. Gibson, and Ferrinne Spector
4: Synesthesia in school-aged children, Julia Simner and Edward M. Hubbard
5: Synesthesia, alphabet books, and fridge magnets, Peter Hancock

Part 2: Synesthesia, Language, and Numbers
6: Numbers, synesthesia, and directionality, Roi Cohen Kadosh and Avishai Henik
7: Synesthesia, sequences, and space, Clare Jonas and Michelle Jarick
8: The 'rules' of synesthesia, Julia Simner
9: Colored alphabets in bilingual synesthetes, Aleksandra Mroczko-Wasowicz and Danko Nikolic
10: Synesthesia, meaning, and multilingual speakers, Fiona N. Newell
11: Synesthesia in non-alphabetic languages, Wan-Yu Hung
12: Synesthetic personification: The social world of graphemes, Monika Sobczak-Edmans and Noam Sagiv

Part 3: Attention and Perception
13: Individual differences in synesthesia, Tessa M. van Leeuwen
14: The role of attention in synesthesia, Anina N. Rich and Jason B. Mattingley
15: Revisiting the perceptual reality of synesthetic color, Chai-Youn Kim and Randolph Blake
16: Synesthesia and binding, Bryan D. Alvarez and Lynn C. Robertson
17: Synesthesia, eye-movements, and pupillometry, Tanja C. W. Nijboer and Bruno Laeng
18: Synesthesia, incongruence, and emotionality, Alicia Callejas and Juan Lupi an ez

Part 4: Contemporary and Historical Approaches
19: Synesthesia in the nineteenth century: Scientific origins, Jorg Jewanski
20: Synesthesia in the twentieth century: Synesthesia's renaissance, Richard E. Cytowic
21: Synesthesia in the twenty-first century: Synesthesia's ascent, Christopher T. Lovelace
22: Synesthesia in space versus the 'mind's eye': How to ask the right questions, Christine Mohr
23: Synesthesia: A psychosocial approach, Markus Zedler and Marie Rehme

Part 5: Neurological Basis of Synesthesia
24: Synesthesia and functional imaging, Edward M. Hubbard
25: Synesthesia, hyperconnectivity, and diffusion tensor imaging, Romke Rouw
26: Can gray matter studies inform theories of (grapheme-color) synesthesia?, Peter H. Weiss
27: Synesthesia and cortical connectivity: A neurodevelopmental perspective, Kevin J. Mitchell
28: The timing of neurophysiological events in synaesthesia, Lutz Jancke
29: The use of transcranial magnetic stimulation in the investigation of synesthesia, Neil G. Muggleton and Elias Tsakanikos
30: Synesthesia, mirror neurons, and mirror-touch, Michael J. Banissy

Part 6: Costs and Benefits: Creativity, Memory, and Imagery
31: Synesthesia and creativity, Catherine M. Mulvenna
32: Synesthesia in the visual arts, Cretien van Campen
33: Synesthesia in literature, Patricia Lynne Duffy
34: Synesthesia and the artistic process, Carol Steen and Greta Berman
35: Synesthesia and memory, Beat Meier and Nicolas Rothen
36: Synesthesia and savantism, Mary Jane Spiller and Ashok S. Jansari
37: Synesthesia, imagery, and performance, Mark C. Price

Part 7: Cross-Modality in the General Population
38: Weak synesthesia in perception and language, Lawrence E. Marks
39: Audiovisual cross-modal correspondences in the general population, Cesare Parise and Charles Spence
40: Cross-modality in speech processing, Argiro Vatakis
41: Magnitudes, metaphors, and modalities: A theory of magnitude revisited, Vincent E. Walsh
42: Sensory substitution devices: Creating 'artificial synesthesias', Laurent Renier and Anne G. De Volder
43: Synesthesia, cross-modality, and language evolution, Christine Cuskley and Simon Kirby

Part 8: Perspectives on Synesthesia
44: Synesthesia: A first-person perspective, Sean A. Day
45: Synesthesia and consciousness, Noam Sagiv and Chris D. Frith
46: What exactly is a sense?, Brian L. Keeley
47: What synesthesia isn't, Mary-Ellen Lynall and Colin Blakemore
48: From molecules to metaphor: Outlooks on synesthesia research, V. S. Ramachandran and David Brang
49: Synesthesia: Where have we been? Where are we going?, Jamie Ward

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Synesthesia is a fascinating phenomenon which has captured the imagination of scientists and artists alike. This inherited condition gives rise to a kind of 'merging of the senses. The Oxford Handbook of Synesthesia brings together a broad body of knowledge about this conditions into one definitive state-of-the-art handbook.

Synesthesia is a fascinating phenomenon which has captured the imagination of scientists and artists alike. This inherited condition gives rise to a kind of 'merging of the senses', and so for those who experience it, everyday activities like reading or listening to music trigger extraordinary impressions of colours, tastes, smells, shapes and other sensations. Synesthesia research also informs us about normal sensation because all people experience cross-sensorymappings to an implicit degree. Synesthesia has a considerably broad appeal, and in recent decades the field has experienced a resurgence of interest. These advances have painted a detailed story about the development, genetics, psychology, history, aesthetics and neuroscience of synesthesia, andprovide a contemporary source of study for a new generation of scholars. The Oxford Handbook of Synesthesia brings together this broad body of knowledge into one definitive state-of-the-art handbook. It includes a large number of concisely written chapters, under broader headings, which tackle questions about the origins of synesthesia, its neurological basis, its links with language and numbers, attention and perception, and with 'normal' sensory and linguistic processing. It asks questions about synesthesia's role in language evolution, and presents bothcontemporary and historical overviews of the field. It shows synaesthesia's costs and benefits (e.g., in creativity, memory, imagery) and describes how synaesthesia can provide inspiration for artists and designers. The book ends with a series of perspectives on synesthesia, including a first-hand account,and philosophical viewpoints which show how synaesthesia poses unique questions about sensation, consciousness and the nature of reality.

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