본문 바로가기 주메뉴 바로가기
22대 대한민국 국회 국회정보길라잡이 국회의원검색
회원가입 로그인
HOME

정보검색

소장정보 검색

국회도서관 홈으로 정보검색 소장정보 검색
결과 내 검색 동의어 포함
결과 내 검색 동의어 포함

-

이용현황보기

Plastic capitalism : contemporary art and the drive to waste 이용현황 표 - 등록번호, 청구기호, 권별정보, 자료실, 이용여부로 구성 되어있습니다.
등록번호 청구기호 권별정보 자료실 이용여부
0002624941 709.04074 -A20-1 서울관 서고(열람신청 후 1층 대출대) 이용가능

출판사 책소개

알라딘제공
An argument for the centrality of the visual culture of waste—as seen in works by international contemporary artists—to the study of our ecological condition.

Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological thinking. Often, when art is analyzed in relation to the political, scientific, or ecological climate, it is considered merely illustrative. Boetzkes argues that art is constitutive of an ecological consciousness, not simply an extension of it. The visual culture of waste is central to the study of the ecological condition.

Boetzkes examines a series of works by an international roster of celebrated artists, including Thomas Hirschhorn, Francis Alÿs, Song Dong, Tara Donovan, Agnès Varda, Gabriel Orozco, and Mel Chin, among others, mapping waste art from its modernist origins to the development of a new waste imaginary generated by contemporary artists. Boetzkes argues that these artists do not offer a predictable or facile critique of consumer culture. Bearing this in mind, she explores the ambivalent relationship between waste (both aestheticized and reviled) and a global economic regime that curbs energy expenditure while promoting profitable forms of resource consumption.



Reviews

Boetzkes offers a broad and subtle discussion of sustainability, art, and plastic waste in a world governed by neoliberal capitalism. The book shows us how we might strip away that veneer and make a spectacle of the waste that constitutes its materiality. Whether through a quasi-ecstatic celebration of our intimate coexistence with waste, or through photographic autopsy of the bodies that died from ingesting our plastic, the works discussed in this volume expose the undeniable fact that plastic is everywhere.—The Literary Review of Canada—

In her trenchant critique, she addresses the global trend of waste in visual culture, while surveying the implications on our collective value systems and the universal ecological condition.

——

About the Author

Amanda Boetzkes is Professor of Contemporary Art History and Theory at the University of Guelph in Ontario, Canada, and the author of The Ethics of Earth Art. She was a Carson Fellow at the Rachel Carson Center for Environment and Society in Munich in 2017.

추천서가 (다양한 추천 자료를 만나보세요)

권호기사보기

권호기사 목록 테이블로 기사명, 저자명, 페이지, 원문, 기사목차 순으로 되어있습니다.
기사명 저자명 페이지 원문 기사목차