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List of Contributors xv
Introduction xix
Frank T. Coulson
PART I. SCRIPT
Li ORGANIZING SCRIPT
i. Punctuation 5
Frank T. Coulson
2. Abbreviations 9
Olaf Pluta
3. The Palaeography of Numerals 25
Charles Burnett
I.2 GRECO-ROMAN HERITAGE
4. Old Roman Cursive 39
Teresa De Robertis (Translated from Italian)
5. New Roman Cursive (IVth-VIIth Centuries) 60
Teresa De Robertis (Translated from Italian)
6. Capital Scripts 79
+David Wright
7. Uncial Script 98
Robert G. Babcock
8. Half-Uncial 109
Robert G. Babcock
9. Greek Script in Latin Manuscripts 1:L5
Walter Berschin (Translated from German)
1.3 EARLY MEDIEVAL HANDS
10. Beneventan (South Italian/Langobardic) Script 121
Francis Newton
11. The Visigothic Script 143
Jesús Alturo i Perucho (Translated from Spanish)
12. Luxeuil 185
Paolo Cherubini
13. Scripts of Merovingian Gaul 193
David Ganz
14. St. Gall Scripts 203
Anna A. Grotans
15. Insular Script 213
Peter A. Stokes
I.4 CAROLINGIAN MINUSCULE
16. Early Caroline: France and Germany 237
David Ganz
17. Early Carolingian: Italy 262
Simona Gavinelli
18. Late Carolingian: Italy 278
Mirella Ferrari
19. Tironian Notes 295
David Ganz
I.5 GOTHIC
20. The Nomenclature of Gothic Scripts 301
Albert Derolez
21. Gothic Script in France in the Later Middle Ages (Xlllth-XVth Centuries) 321
Marie-Helene Tesniere (Translated from French)
22. The Emergence of Formal Gothic Script in England 361
Richard Gameson
23. Gothic Script in England c. 1300-1500 369
Pamela Robinson
24. Gothic Script in Germany 391
Karl-Georg Pfandtner
25. Gothic Script in Italy 411
Stefano Zamponi (Translated from Italian)
26. Late Gothic: Italy (XIVth-XVIth Centuries) 429
Stefano Zamponi (Translated from Italian)
27. Late Gothic Script: The Netherlands 445
tj. P. Gumbert
28. Gothic Writing in Bohemia and Moravia 459
Hana PAtkovA
29. Late Medieval Written Culture in the Realm of King
St. Stephan: Gothic and Later Script in Hungary and Slovakia 468 Juraj Sedivy (Translated from German)
30. Early Printing and Palaeography 499
Paul Needham
1.6 HUMANIST
31. Humanistic Script: Origins 511
Teresa De Robertis (Translated from Italian)
32. Humanistic Script: Italy 522
Teresa De Robertis (Translated from Italian)
33. Byzantium and the West 553
Marianne Pade
34. The Waning of Manuscript Production 5^7
Gregory Hays
PART IL MATERIAL EMBODIMENT AND TECHNIQUES
35. Stages in Manuscript Production 5^1
Lucien Reynhout
36. Stages in Diplomatic Production ^11
Olivier Guyotjeannin (Translated from French)
37. The mise-en-page in Western Manuscripts ^9
Marie-Helene Tesniere (Translated from French)
38. Formats of Books
tj. P. Gumbert
39. The Format of Documents $44
Olivier Guyotjeannin (Translated from French)
40. The Application of Quantitative Methods to the History of the Book 651
Ezio Ornato (Translated from Italian)
41. Comparative Codicology $^9
Malachi Beit-Arie
42. Pen-Flourished Decoration 674
Alison Stones
PART III. CULTURAL SETTING
43. Orality and Visible Language ^93
Paul Saenger
44. Who Were the Scribes of Latin Manuscripts? 7°5
Alison I. Beach
45. Book Trade: Antiquity and the Early Middle Ages 711
Guglielmo Cavallo (Translated from Italian)
46. The Book Trade in the Middle Ages: The Parisian Case 723
Kouky Fianu
PART IV. SELECTED SCRIPTORIA
AND LIBRARIES
47. Scriptoria and Libraries: An Overview 737
Donatella Nebbiai (Translated from French)
48. The Lindisfarne Scriptorium 769
Michelle P. Brown
49. Scriptoria and Libraries of Northern Italy (Vllth-VIIIth Centuries) 779
Paolo Cherubini
50. The Library at Monte Cassino 789
Francis Newton
51. The Abbey of St. Gall 805
Anna A. Grotans
52. Book Production in Paris 813
Richard H. Rouse and Mary A. Rouse
53. The Scriptorium and Library of Salisbury Cathedral 823
Teresa Webber
54. Manuscript Production in Florence 832
Xavier van Binnebeke
PART V. VARIETIES OF BOOK USAGE
55. Books of Hours 853
Rowan Watson
56. Law at Bologna 865
Susan L’Engle
57. The Manuscript Miscellany 879
GEORGE Rigg
58. Florilegia 885
Jacqueline Hamesse (Translated from French)
59. Theological Texts 906
Lesley Smith
60. Text and Gloss 924
Greti Dinkova-Bruun
61. Anglo-Saxon Glosses and Grammars 943
Patrizia Lendinara
62. The History of Manuscripts since 1500 957
Gregory Hays
63. Cataloguing Medieval Manuscripts 980
Consuelo W. Dutschke
List of Permission 1019
Index of Manuscripts 1021
General Index 1041
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출판사 책소개
The Oxford Handbook of Latin Palaeography provides a comprehensive overview of the development of Latin script from Antiquity to the Renaissance, codicology, and the cultural setting of the medieval manuscript. It will be an indispensable tool for all those interested in medieval book production.
Latin books are among the most numerous surviving artifacts of the Late Antique, Mediaeval, and Renaissance periods in European history; written in a variety of formats and scripts, they preserve the literary, philosophical, scientific, and religious heritage of the West. The Oxford Handbook of Latin Palaeography surveys these books, with special emphasis on the variety of scripts in which they were written. Palaeography, in the strictest sense, examines howthe changing styles of script and the fluctuating shapes of individual letters allow the date and the place of production of books to be determined. More broadly conceived, palaeography examines the totality of early book production, ownership, dissemination, and use. The Oxford Handbook of LatinPalaeography includes essays on major types of script (Uncial, Insular, Beneventan, Visigothic, Gothic, etc.), describing what defines these distinct script types, and outlining when and where they were used. It expands on previous handbooks of the subject by incorporating select essays on less well-studied periods and regions, in particular late mediaeval Eastern Europe. The Oxford Handbook of Latin Palaeography is also distinguished from prior handbooks by its extensivefocus on codicology and on the cultural settings and contexts of mediaeval books. Essays treat of various important features, formats, styles, and genres of mediaeval books, and of representative mediaeval libraries as intellectual centers. Additional studies explore questions of orality and the written word, the booktrade, glossing and glossaries, and manuscript cataloguing. The extensive plates and figures in the volume will provide readers wtih clear illustrations of the major points, and the succinct bibliographies in each essay will direct them to more detailed works in the field.
Latin books are among the most numerous surviving artifacts of the Late Antique, Mediaeval, and Renaissance periods in European history; written in a variety of formats and scripts, they preserve the literary, philosophical, scientific, and religious heritage of the West. The Oxford Handbook of Latin Palaeography surveys these books, with special emphasis on the variety of scripts in which they were written. Palaeography, in the strictest sense, examines howthe changing styles of script and the fluctuating shapes of individual letters allow the date and the place of production of books to be determined. More broadly conceived, palaeography examines the totality of early book production, ownership, dissemination, and use. The Oxford Handbook of LatinPalaeography includes essays on major types of script (Uncial, Insular, Beneventan, Visigothic, Gothic, etc.), describing what defines these distinct script types, and outlining when and where they were used. It expands on previous handbooks of the subject by incorporating select essays on less well-studied periods and regions, in particular late mediaeval Eastern Europe. The Oxford Handbook of Latin Palaeography is also distinguished from prior handbooks by its extensivefocus on codicology and on the cultural settings and contexts of mediaeval books. Essays treat of various important features, formats, styles, and genres of mediaeval books, and of representative mediaeval libraries as intellectual centers. Additional studies explore questions of orality and the written word, the booktrade, glossing and glossaries, and manuscript cataloguing. The extensive plates and figures in the volume will provide readers wtih clear illustrations of the major points, and the succinct bibliographies in each essay will direct them to more detailed works in the field.
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