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22대 대한민국 국회 국회정보길라잡이 국회의원검색
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Acknowledgements
Introduction
1 The context for women in musical leadership
Introduction
Feminism and leadership
Gender pay gap
Leadership
Musical leadership
Women in musical history
Conclusion
Notes
2 Women and musical composition
Introduction
Feminist musicology
Gender parity in commissioning and performance
Leading 20th-century women composers
Contemporary case studies
Elena Kats-Chernin
Sofia Gubaidulina
Deborah Cheetham Fraillon
Conclusion
Notes
3 Women conductors
Introduction
Women’s access to the podium
Pioneering women conductors
Principal women conductors taking the lead
European and UK women taking the podium
American women on the podium
Australian women on the podium
Canadian women on the podium
Women taking the podium in Asia
South American women taking the podium
Podium leadership styles
Conclusion
Notes
4 Women in classical instrumental and vocal music performance
Introduction
Women as instrumental performers
Women in orchestral performance
Women singers
Women pianists
Women violinists
Women cellists
Women breaking music instrumental boundaries
Professional women’s musical organisations
Conclusion
Notes
5 Women in blues, jazz, gospel and Motown
Introduction
Blues
Jazz
Jazz instrumentalists
Gospel
Motown
Conclusion
Notes
6 Women in popular music
Introduction
Women in cabaret
Musical theatre
Women’s folk and protest song as popular music
Civil and human rights activism
Punk and experimental women
Women in country music
Women in rock
Girl power
Women in hip-hop
Conclusion
Notes
7 Women in electronic music
Introduction
Women in experimental electronic music and electroacoustic music
Women in popular electronic music
Women in sound production
Women DJs
Conclusion
Notes
8 Women in non-Western musical contexts
Introduction
Cross-cultural contexts
The leadership role of women in music across cultures
Music and women in contemporary non-Western cultural contexts
Conclusion
Notes
9 Women in the music industry
Introduction
Women in the recording industry
Women in music management
Women in music journalism
Women’s music festivals
Women in artistic leadership, programming and curating
Conclusion
Notes
Conclusion
Bibliography
Index

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Women, Music and Leadership offers a wide-ranging survey of women in musical leadership and their experiences, highlighting women’s achievements and considering how they negotiate the challenges of the leadership space in music.

Women have always participated in music as performers, teachers, composers, and professionals, but remain underrepresented in leadership positions. Covering women’s leadership across a wide variety of roles and musical genres, this book addresses women in classical music, gospel, blues, jazz, popular music, electronic music, and non-Western musical contexts, and considers women working as composers, conductors, and in music management and the music business. Each chapter includes several case studies of women’s careers, exploring their groundbreaking contributions to music, and the challenges they faced as leaders.

Connecting management theory and leadership research with feminist musicology, this book paints a new picture of women’s major contributions as leaders in music, and their ongoing struggles for equity. It will be relevant to students and scholars in arts and music management, as well as all those studying music, gender, or leadership, and women music professionals.



Women, Music and Leadership offers a wide-ranging survey of women in musical leadership and their experiences, highlighting women’s achievements and considering how they negotiate the challenges of the leadership space in music.



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