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국회도서관 홈으로 정보검색 소장정보 검색
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Title page

Contents

ACKNOWLEDGMENTS 4

EXECUTIVE SUMMARY 10

1. LOCAL REVITALIZATION THROUGH COMMUNITY DRIVEN, SITE-SPECIFIC ART FESTIVALS 16

FUNDAMENTALS OF SITE-SPECIFIC ART FESTIVALS 18

WHAT IS SITE-SPECIFIC ART? 18

WHAT IS AN ART FESTIVAL? 18

NEED FOR REVITALIZATION 20

ROLE OF ART FESTIVALS IN DRIVING LOCAL REVITALIZATION 20

REVITALIZATION DRIVEN BY THE COMMUNITY 21

REGIONAL REVITALIZATION THROUGH SITE-SPECIFIC ART FESTIVALS 21

ART FESTIVAL IMPACTS 22

2. ECHIGO-TSUMARI ART TRIENNALE 24

TERRAIN AND CLIMATE 26

BRIEF HISTORY 27

ART THAT CONNECTS PEOPLE TO PLACES 29

ART THAT CONNECTS PEOPLE TO MEMORIES 32

BEYOND ART, A FESTIVAL THAT CONNECTS PEOPLE TO PEOPLE 34

FUNDING AND IMPACT 37

ECONOMIC RIPPLE EFFECTS 39

3. THE PROCESS OF DESIGNING A COMMUNITY-DRIVEN, SITE-SPECIFIC ART FESTIVAL 40

CONCEPT DEVELOPMENT 42

PRELIMINARY STUDY 42

SITE SELECTION-FROM REGIONS TO SPECIFIC PLACES 43

1. IDENTIFICATION OF LOCAL LEADERS-CATALYZING COMMUNITY INTEREST 43

2. AWAKENING COMMUNITY INTEREST-BUILDING COMMUNITY SUPPORT 44

3. ANALYSIS OF LOCAL CREATIVE ASSETS-CREATIVE FRAMING OF CULTURAL AND NATURAL HERITAGE 45

4. ASSESSING LOCAL INFRASTRUCTURE 45

PLANNING 46

INFORMATIONAL BRIEFINGS AND TOWN HALLS 46

INITIAL INVESTMENT 46

ORGANIZATION OF LOCAL IMPLEMENTATION TEAM 46

SELECTING PARTICIPATING ARTISTS 47

FESTIVAL PROMOTION 47

IMPLEMENTATION AND POST-EVENT MAINTENANCE 49

LOGISTICS AND OPERATION 49

FESTIVAL EVALUATION AND ARCHIVING 49

ARTWORK MAINTENANCE 49

4. MINICASES OF SITE-SPECIFIC ART FESTIVALS IN JAPAN 50

CASE 1. SETOUCHI TRIENNALE 52

FUNDING AND IMPACT 59

CASE 2. ICHIHARA ART X MIX 60

CASE 3. OKU-NOTO TRIENNALE 62

CASE 4. NORTHERN ALPS ART FESTIVAL 66

CLOSING COMMENTS 69

APPENDIX A. ORGANIZATIONAL CHART OF ART FRONT GALLERY 72

APPENDIX B. FESTIVAL-RELATED DATA 73

REFERENCES 74

BIBLIOGRAPHY 74

Tables

Table 2.1. Cashflow Chart from the 2009 Echigo-Tsumari Art Triennale 37

Table 2.2. Costs and Fees Associated with the Echigo-Tsumari Art Triennale, 1997-2022 38

Table 2.3. Festival Budget and Economic Effects Produced from the First Two Art Triennales, 1996-2003 39

Table 2.4. Economic Effects of the Echigo-Tsumari Art Triennale 1997-2022 39

Table 4.1. Primary and Secondary Economic Effects of the Setouchi Triennale, 2010-19 59

Table 4.2. Impacts of the Ichihara Art x Mix 61

Figures

Figure ES.1. The Three Focus Areas for Developing Site-Specific Art Festivals 14

Figure 3.1. The Three Focus Areas for Developing Site-Specific Art Festivals 42

Figure 3.2. Organizational Flowchart for a Site-Specific Art Festival 44

Maps

MAP 2.1. Map of the areas that make up the Echigo-Tsumari region 26

MAP 4.1. Seto Inland Sea 53

Photos

PHOTO ES.1. Where has the river gone? 11

PHOTO ES.2. Cakra Kul Kul 12

PHOTO ES.3. Reverse City 15

PHOTO 1.1. Tunnel of Lights 16

PHOTO 1.2. Dream House 19

PHOTO 1.3. The Last Class 22

PHOTO 2.1. Shinano River That Passes through the Echigo-Tsumari Region 24

PHOTO 2.2. Heavy Snowfall during Winters in Echigo-Tsumari 26

PHOTO 2.3. Residents Clearing Heavy Snow during Winters in Echigo-Tsumari 27

PHOTO 2.4. Les Regards 29

PHOTO 2.5. The Rice Fields 30

PHOTO 2.6. Visitors Walking up The Rice Fields 31

PHOTO 2.7. The Former Sanada Elementary School 32

PHOTO 2.8. Depictions of Children's Colorful "Hopes" and "Dreams" at the Former Sanada Elementary School 33

PHOTO 2.9. Depictions of Three Students Made from Driftwood at the Former Sanada Elementary School 33

PHOTO 2.10. Staff Members Pose in Front of the Ubusuna House 34

PHOTO 2.11. The Repurposed Ubusuna House Offers Overnight Accommodations for Visitors 35

PHOTO 2.12. Patrons Enjoy a Meal at the Ubusuna House Restaurant 35

PHOTO 2.13. Local Cuisine Served at the Ubusuna House Restaurant 36

PHOTO 2.14. Ubusuna House Exhibit Kamado Stove 36

PHOTO 3.1. Volunteers at the Matsudai Rice Terrace 40

PHOTO 3.2. Volunteers Planting Rice 48

PHOTO 4.1. View of the Seto Islands 50

PHOTO 4.2. View of Cruise Ships in Seto Island 52

PHOTO 4.3. Sora-Ami: Knitting the Sky 54

PHOTO 4.4. Residents Taking Part in the Knitting of "Sora-Ami: Knitting the Sky" 55

PHOTO 4.5. Exterior of the Island Theatre Megi 56

PHOTO 4.6. Interior of the Island Theatre Megi 56

PHOTO 4.7. Shima Kitchen 57

PHOTO 4.8. Inside Shima Kitchen 57

PHOTO 4.9. Different Types of Onbas 58

PHOTO 4.10. A Local Resident Using an Onba to Carry Things 58

PHOTO 4.11. Kominato Railway 60

PHOTO 4.12. My moon is always travelling: Murakami's Last Flight. Or "Waiting the train to the Moon" (side view) 61

PHOTO 4.13. My moon is always travelling: Murakami's Last Flight. Or "Waiting the train to the Moon" (front view) 61

PHOTO 4.14. Suzu Coast 62

PHOTO 4.15. Image of Suzu Coast with Residential Houses 63

PHOTO 4.16. Something Else Is Possible 64

PHOTO 4.17. The Boat Which Carries Time 64

PHOTO 4.18. Effects of the January 1st, 2024, Earthquake, Suzu City 65

PHOTO 4.19. Tangible Landscape 66

PHOTO 4.20. What has happened/what will happen 67

PHOTO 4.21. Doctor's House 68

PHOTO 4.22. Volunteers Planting Rice 70

Appendix Tables

Table B.1. Echigo-Tsumari Art Triennale 73

Table B.2. Setouchi Triennale 73

Appendix Figures

Figure A.1. Art Front Gallery Organization Chart 72

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