This work has two journeys: a surfaced journey on the map and an ulterior journey healing a wound of mind. The former journey to Buseoksa came to no good by missing a way on the cliff. However, two people succeeded to heal their wound of mind. In other words, they recovered possibility of regaining lost love and trust inside the car on the cliff. The sense of a place of there was described as perfect unification of the place, the people, and the animal. Namely, the strange space, deep waters, changed into an intimate place perfectly. Seoul became stained with a wound and was a space of loss controlled by the struggle for existence and the survival of the fittest, whereas the inside of the car on the cliff was the place that stirs up the real sense of a place and the inner space called by Gaston Bachelard. Exactly, 'a house' was described as an image of quiet and care as opposed to Seoul. Moreover, a man's old house was a place that gave comfort when the man hurt from human relations, and it was presented as a radical place when a loved one was made.
As an expression of Yi-Fu Tuan, Seoul is a hostile 'space', and the inside of the car on the cliff and the old house are an intimate 'place'. Therefore, is the work that shows the topic of 'healing a wound' through a journey from the hostile 'space' to the intimate 'place'.