카프 시기 송영 소설을 일괄할 때 발견되는 특징은 주인공의 정념이 전면에 노출된다는 사실이다. 신경향파소설의 일반적 특징을 공유하면서도 송영 소설은 폭력적 사건을 통해 등장인물의 정념이 가지는 스펙트럼을 다양하게 보여주거나 사랑을 통해 ‘현실로서의 보편적인 것’이 갖는 허구성을 폭로하는 특이성을 보인다. 송영 소설의 이러한 특징은 1920년대 후반까지 이어지며 조직노선과는 변별되는 독특한 영역을 구축한다. 그 연장선상에서 송영은 1930년대 초반 생활에 밀착된 일련의 소설들을 통해 ‘희망’을 이야기할 수 있었다.This study is an attempt to read the Proletarian as narratives of affection in a period of KAFE. This paper deeply investigated socialism through Song, Young‘s lives in Tokyo and tried to understand socialism through texts in novels. Song, Young was a worker in Tokyo for six months from the summer of 1922. The socialists such as Park, Yeol, Jeong, Tae-Sin, Kim, Yak-Su centering on in Tokyo of this period published ??Daejungsibo?? and ??Heukdo??. Unlike political characteristics of the subjects who published each magazine, the commonality in two magazines was to put a lot emphasis on internality of human beings for political actions. Particularly, the love between Japanese Humico and Korean Park, Yeol shows that the willingness of universal love and freedom beyond ethnic difference was a key element of cultural politics of socialism. This point needs to be consider in advance when we read texts in the Song, Young's novels. The feature that was found when we bundle up Song, Young's novels in a period of KAFE is a fact that affection of the main characters is exposed in the front. Song, Young's novels illustrate diverse spectrum that the main characters have through violent events, sharing general characteristics of New tendency novels or disclose a sense of fiction that ‘universality as reality’ has through love, showing the different from New tendency novels. Above all, this feature of Song, Young's novels remain until the late 1920s and construct unique areas that are separate from political characteristics of the organization. By extension of this context, Song Young could say ‘hope’ through these novels closely linked with daily lives of the early 1930s.
The feature that was found when we bundle up Song, Young's novels in a period of KAFE is a fact that affection of the main characters is exposed in the front. Song, Young's novels illustrate diverse spectrum that the main characters have through violent events, sharing general characteristics of New tendency novels or disclose a sense of fiction that ‘universality as reality’ has through love, showing the different from New tendency novels. Above all, this feature of Song, Young's novels remain until the late 1920s and construct unique areas that are separate from political characteristics of the organization. By extension of this context, Song Young could say ‘hope’ through these novels closely linked with daily lives of the early 1930s.