고소설의 창작기반은 시대상황적 여건과 작가의 표출의지, 그리고 독자의 참여정도에 따라 결정되어져 왔다. 시대상황적 여건을 거스르지 않으면서도 독자의 참여를 적극 유도해 내는 것이야말로 작가의 창작기법적 역량이자 향유층 수용의 힘이었던 것이다. 자신의 창작의도에 제한적 기법을 스스로 설정하면서 이와 같은 세 가지 요소를 합리화할 수 있는 하나의 기제가 필요한 것은 그러한 이유에서였다.
‘자기행동의 정당화’라는 이 획기적 방어기제로서의 합리화가 고소설의 환상적인 ‘주제 숨김’이나 ‘속내 감춤’의 수단 내지 방법적 틀로서 그 역할이 가능한 것은 이 때문이다.The basic of writing a old novel is decided on the condition of historical situation, expressional will of a writer and the participated standard of a reader.
It is the capacity of writers and acception from the readers by that non of going against the tide of historical conditions and positive leading of reader's participation.
It was the reason why one of the tool is needed that it is setting up limited technique naturally for writing will and realization of three constituents.
The discipline structure of Ongojipjeon is indwell one of the tool because it is justified by any special actions and it is the case of the purpose realization to release the scars of the impendence.
Also, it is the purpose for the reading more specifically for understanding discipline structure of monks and masters by Freud's rationalization and the works of confirming inside mind.
Thus, it was the result from reading the unconscious defence mechanism to solve the potential anxiety due to a positional hostility and acuteness, positional forfeiture and dishonor of monks and their masters.
It is the reason why the role is possible that the rationalization of ‘Justness of self-action’ as an epoch-making defence mechanism made a tool or a technique of old novel's fantastic ‘Hiding topic’ or ‘Hiding inside mind’.