In the modern and post-modern context, Korean Chinese poetry demonstrates both its inheritance to the ethnic literary tradition and its encounter with the transformation of modernity. First of all, while inheriting and sticking to its own ethnic tradition, it exhibits originality in the refinement of language, the tension of structure, the multiplicity of the thematic concerns, and so on. Secondly, concerning the modernity of poetry, it reveals the spiritual crisis experienced by the modern man, embodied in the loss of a spiritual homeland, anxiety of existence, deconstruction of sanctity and centre and other aspects. And finally, in terms of eco-literature, it indicates a literary tendency that suggests the unity of traditional eastern culture with ecology. Although it manifests the characteristics of the third space diaspora literature in the transitional period, in terms of avant garde poetic explorations, the new millennium poetry also represents a conservative tendency and consequent limitations, which has become a negative factor that hinders the evolution of Korean Chinese literature.