This article shifts the focus of attention from Tongshijilan, which has attracted much attention as a Korean calligraphic style, to the field of history and explores its historical resources value. It is inspired by the Tongshijilan which tells the story of women in traditional Chinese dynasties. It is believed that the author wrote this book as a continuation of the Zhengsijilan, a Korean-language compilation of Chinese history from the Ancient Times to Ming dynasties. While the pairing is fitting in the sense that Tongshi is the counterpart of Zhengshi, the word Tongshi in Tongshijilan was originally an official name first established in the imperial court in the Tang Dynasty, and was created in the context of the need for Nushi of Zhou to write honestly in accordance with the laws of Red Stick Brush. It is believed that the author took such a history in his signature to symbolize that he was also writing honestly. The author's viewpoint, which was thoroughly familiar with the doctrines of Zhuzi. and the Confucian ritual system, is the basic perspective that runs through Tongshijilan. The historical perspective of the Joseon scholar, which revered the Ming dynasty, was reflected in the book. The continued use of Zhongzong's year number during the reign of Wuzetian also confirms the male-centered Confucian-traditional perspective of history that does not recognize her actual rule or the Wuzhou Revolution. The gender perspective on Women in the Tongshijilan is a chaste and wise woman. This abstract idea permeates the author's comments, and the image of the author's posterity is that of a woman who conducted political activities according to the situation, but without deviating from the Confucian ritual system. The other thing that the author, armed with his patristic notions, expected of women was chastity toward their husbands. This was also a reflection of his faith for the king, the nation, as he went into hiding and refused all titles and government positions under Japanese imperialism. Almost entirely devoted to women, including the concubines of traditional Chinese dynasties, Tongshijilan is neither a biography nor an exhortation mired in ideological theories to educate on moral and ethical teachings. This book could be categorize as a text book in that it focuses on the history of women in China and writes honestly based on historical sources, while also including his own arguments. It is considered to be the first book on Chinese women's history written by a Korean.