책머리에격려사_조계사주지원명(삼화사수륙대재보존회장)격려사_백운사주지석봉(아랫녘수륙재보존회장)격려사_진관사주지계호(진관사수륙재보존회장)제1부수륙재의역사적복원과공연문화적가치고려시대수륙재연구_고상현조선전기수륙화도연구_박정원근대불교의의례와수륙재_한상길수륙재의변천과정과공연문화적가치_박진태한국수륙재의융합적특성_윤소희수륙재의민속학적가치와민속의례적성격_나경수한중일사령의식의연회공간과그변용_윤광봉제2부수륙재의예술적실행과불교공연적성격수륙재의궤의공연양상과화곡적전개_사재동불교수륙재의악기활용과기능_양영진수륙재에서범패의구성과기능_이용식아랫녘수륙재의연혁과특징_최헌진관사국행수륙재의특징과아미_홍태한삼화시수륙재의특징과가치재고_허용호제3부수륙재의현대적계승과공연콘텐츠적활용수륙재의원형문제와문화콘텐츠전략화_이창식수륙재의발전적계승을위한제언_헤일명조불교축제로서수륙재의활성화방안연구_고상현스토리텔링을위한수륙재의공연예술마케팅방안연구_김미경삼화사국행수륙대재의문화콘텐츠활용방안_이재수진관사감로왕도의복원적고찰_김창균백제문화제수륙재의전개와발전방향성연구_안상경