AcknowledgmentsIntroduction1. Heterotopic Media: Assembling the Global in Digital Cinema2. Heterotopic Mapping: The Fall and Ashes of Time Redux3. Heterotopic Modularity: Avatar, Oblivion, and Interstellar4. Heterotopic Monstrosity: The Host and Godzilla5. Heterotopic Materiality: The World and Big Hero 6Conclusion: The Seams of (Post)Digital Media HeterotopiasNotesBibliographyIndex