본문 바로가기 주메뉴 바로가기
국회도서관 홈으로 정보검색 소장정보 검색

초록보기

In Jude the Obscure, following the tenets of the Oxford Movement and religious aestheticism, Jude becomes a Gothic cathedral mason seeking beauty and harmony in the Gothic Revival which was supposed to counter the ugliness of industrialized Victorian society. He tries to live up to the teachings of the Tractarians and the religious aesthetes who preached that an aesthetic environment would help civilize the working classes and that aesthetic education would guide them towards embourgeoisment. His gradual awareness that materiality is a prerequisite for cultivating a finer artistic taste and an aesthetic education has become a means of social control rather than social harmony leads him to embrace Sue’s vision of decadent aestheticism and its attendant tenets such as Hellenism and anti-Christianity. However, the Victorian Hellenic golden age that seems to promise a Greek-like joyousness free from modern sickness and sorrow is also overshadowed by the specters of Victorian customs. It becomes clear that the aesthetic discourses of the Oxford Movement, Ruskin’s religion of art, and decadent aestheticism, initiated by bourgeois clerics and aesthetes, alternately foster and restrain the dream of self-improvement and social mobility of the working classes.

참고문헌 (32건) : 자료제공( 네이버학술정보 )

참고문헌 목록에 대한 테이블로 번호, 참고문헌, 국회도서관 소장유무로 구성되어 있습니다.
번호 참고문헌 국회도서관 소장유무
1 Barringer, Tim. Reading the Pre-Raphaelites. New Haven, CT: Yale UP, 2012. Print. 미소장
2 Björk, Lennart A. “Hardy’s Reading.” Thomas Hardy: The Writer and his Background. Ed. Norman Page. London: Bell & Hyman, 1980. 102-27. Print. 미소장
3 Björk, Lennart A. Psychological Vision and Social Criticism in the Novels of Thomas Hardy. Stockholm, Sweden: Almqvist & Wiksell International, 1987. Print. 미소장
4 Bullen, J. B. The Expressive Eye: Fiction and Perception in the Work of Thomas Hardy. Oxford: Oxford UP, 1986. Print. 미소장
5 "Arguing About the Eastward Position": Thomas Hardy and Puseyism 네이버 미소장
6 Collins, Philip. “Hardy and Education.” Thomas Hardy: The Writer and his Background. Ed. Norman Page. London: Bell & Hyman, 1980. 41-75. Print. 미소장
7 "The Ache of Modernism" in Hardy's Later Novels 네이버 미소장
8 Denisoff, Dennis. “Decadence and aestheticism.” Marshall 31-52. Print. 미소장
9 Dowling, Linda. The Vulgarization of Art: The Victorians and Aesthetic Democracy. Charlottesville and London: UP of Virginia, 1996. Print. 미소장
10 Eagleton, Terry. “The Limits of Art.” Thomas Hardy’s Jude the Obscure. Ed. Harold Bloom. New York: Chelsea House Publishers, 1987. 61-72. Print. 미소장
11 Ellmann, Richard. “Overtures to Salomé.” Oscar Wilde: A Collection of Critical Essays. Ed. Richard Ellmann. New Delhi: Prentice of India, 1980. Print. 미소장
12 Fraser, Hilary. Beauty and Belief: Aesthetics and Religion in Victorian Literature. Cambridge and New York: Cambridge UP, 1986. Print. 미소장
13 "JUDE THE OBSCURE" AND THE "BILDUNGSROMAN" 네이버 미소장
14 Hardy, Thomas. Jude The Obscure. Ed. C. H. Sisson. Harmondsworth: Penguin, 1981. Print. 미소장
15 Hardy, Thomas. The Return of the Native. Ed. James Gindin. New York: Norton, 1969. Print. 미소장
16 Jenkyns, Richard. The Victorians and Ancient Greece. Oxford: Basil Blackwell, 1980. Print. 미소장
17 Kaye, Richard A. “Sexual identity at the fin de siècle.” Marshall 53-72. Print. 미소장
18 Langland, Elizabeth. “Becoming a Man in Jude the Obscure.” The Sense of Sex:Feminist Perspectives on Hardy. Ed. Margaret R. Higonnet. Urbana and Chicago: U of Illinois P, 1993. 32-48. Print. 미소장
19 Ledger, Sally. “The New woman and feminist fictions.” Marshall 153-68. Print. 미소장
20 Maltz, Diana, British Aestheticism and the Urban Working Classes, 1870-1900:Beauty for the People. New York: Palgrave Macmillan, 2006. Print. 미소장
21 Marshall, Gail, ed. The Cambridge Companion to the Fin de Siècle. Cambridge:Cambridge UP, 2007. Print. 미소장
22 Terminal Satire and "Jude the Obscure" 네이버 미소장
23 Murfin, Ross C. Swinburne, Hardy, Lawrence and the Burden of Belief. Chicago:U of Chicago P, 1978. Print. 미소장
24 Pater and the Genealogy of Hardy's Modernity 네이버 미소장
25 Page, Norman. “Vision and Blindness.” Thomas Hardy’s Jude the Obscure. Ed. Harold Bloom. New York: Chelsea House Publishers, 1987. 73-80. Print. 미소장
26 Paper (After John McGahern's Memoir) 네이버 미소장
27 Hardy, Shaftesbury, and Aesthetic Education 네이버 미소장
28 Ruskin, John. The Stones of Venice. The Works of John Ruskin. Vol 10. Cambridge:Cambridge UP, 2010. Print. 미소장
29 Teukolsky, Rachel. “Walter Pater’s Renaissance (1873) and the British Aesthetic Movement.” BRANCH: Britain, Representation, and Nineteenth-Century History (2012). http://www.branchcollective.org/?ps_articles=rachel-teukolsky-walter-patersrenaissance-1873-and-the-british-aesthetic-movement 미소장
30 West, Shearer. “The visual arts.” Marshall 131-52. Print. 미소장
31 Williams, Merryn. A Preface to Hardy. London and New York: Longman, 1976. Print. 미소장
32 Wotton, George. Thomas Hardy: Towards a Materialist Criticism. Goldenbridge:Gill and Macmillan, 1985. Print. 미소장