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Булгакова, Оксана. Фабрика жестов. Москва: Новое литературное обоз рение, 2005. |
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Добренко, Евгений. Музей революции: советское кино и сталинский исто‐ рический нарратив. Москва: Новое литературное обозрение, 2008. |
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Зоркая, Нея. История советского кино. Санкт‐Петербург: Алетейя, 2006. |
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Ковалова, Анна. “Кино в Петербурге. Петербург в кино,” Василий Степанов (ред.), Петербург как кино. Санкт‐Петербург: Мастер‐ ская Сеанс, 2011. |
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Копылова, Р.Д. “Илья Авербах. Путь замысла.” Век петербургского кино: сборник научных трудов. Санкт‐Петербург: РИИИ, 2007). |
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Муратов, Леонид. Петербург‐Петроград‐Ленинград в историко‐революционном фильме. Ленинград, 1977. |
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Муратов, Леонид. “Экранный образ Петербурга‐Петрограда‐Ленинграда.” Нева, No. 1 (1978). |
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Муратов, Леонид. Образ блокадного ленинграда в советском кинематографе. Ленинград, 1986. |
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Beumers, Birgit. A History of Russian Cinema. New York: Berg, 2009. |
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Beumers, Birgit. “Capital Images: Moscow on Screen.” Birgit Beumers (ed.). A Companion to Russian Cinema. West Sussex: Wiley Black‐ well, 2016. |
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Boym, Svetlana. The Future of Nostalgia. New York: Basic Books, 2001. |
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Strange Spaces: Balabanov and the Petersburg Text  |
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Graffy, Julian. “Cinema.” Catriona Kelly and David Shepherd (eds.), Russian Cultural Studies: An Introduction. Oxford: Oxford University Press, 1998. |
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Kenez, Peter. Cinema and Soviet Society: From the Revolution to the Death of Stalin. London: I.B. Tauris, 2001. |
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Kepley, Jr., Vance. The End of St. Petersburg. London: I.B. Tauris, 2003. |
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Margolit, Evgenii. “Monumental Sculptures in Soviet Cinema of the 1920s.” Kinokultura, No. 26 (2009). http://www.kinokultura.com/ 2009/26‐margolit.shtml |
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Ousmanova, Almira. “Window to Europe: The Social and Cinematic Phantasms of the Post‐Soviet Subject.” Luisa Passerini, Liliana Ellena, Alexander C.T. Geppert (eds.). New Dangerous Liaisons: Discourses on Europe and Love in the Twentieth Century. New York: Berghahn Books, 2010. |
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Sargeant, Amy. Vsevolod Pudovkin: Classic Films of the Soviet Avant‐Garde. London: I.B. Tauris, 2000. |
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Soviet movies for the masses and for historians  |
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War disabled on screen: remembering and forgetting the Great War in the Russian and Soviet cinema, 1914–1940  |
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| 22 |
Balabanov’s Bandits: The Bandit Film Cycle in Post-Soviet Cinema  |
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Of Freaks and Men : Aleksei Balabanov's critique of degenerate post-Soviet society  |
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