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This paper discusses Shakespeare’s reception in prisons, and gives Julius Caesar as an exemplary case. The discussion is focused on Shakespearean reading by Nelson Mandela in the maximum security prison of Robben Island in Cape Town, South Africa, and Paolo and Vittorio Taviani’s film about Shakespearean performance by the inmate actors in the maximum security prison of Rebibbia in Rome, Italy. It intends to stress that the story of Julius Caesar has resonance for those prisoners who are anxiously anticipating change and reestablishing a sense of identity, and that the prison reading and performance have a demonstration of why Shakespeare matters to them.

Mandela’s reading is centered on Caesar’s speech on courage in the face of death. His choice is demonstrative of his grim determination that he has no fear of dying for what he believes in, that is, democracy and freedom for all South Africans. Furthermore he draws a lesson from the context of Caesar’s speech: the arrogantly charismatic leader easily succumbs to tyrannical power bringing on the collapse of the country. This explains why Mandela resolved to serve for only a single term as the first President of South Africa.

In view of a prison performance the Tavianis’s Caesar Must Die can be seen as a reminder of what Mandela pays heed to. The movie begins and ends with the last moments of the conspirators. The Tavianis’s filmic approach highlights that the assassination of Caesar is undertaken to protect the republic, but turns out to destroy it. The sense of sharing between conspirators and inmate actors is strengthened as the former Roman world corresponds with the criminal world from which the latter comes. The use of the native Italian dialects works as a means of making Shakespeare contemporary and relevant for the inmate actors.

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기사명 저자명 페이지 원문 목차
『헨리 4세』의 대위법적 서사 = The clown's two bodies, the political economy of reckoning, and the contrapuntal narrative of Henry Ⅳ : 광대의 두 신체와 정산의 정치경제학 노승희 p.363-392

베르디의 『맥베스』 변형과 다시쓰기 = Verdi's transformation and adaptation of Shakespeare's Macbeth 김종환 p.343-361

셰익스피어와 수감자들 = Shakespeare and prisoners : the case of Julius Caesar : 『줄리어스 시저』를 중심으로 한영림 p.543-562

『맥베스』에 나타난 '새 고르곤'과 자기이해 = 'A New Gorgon' and self-knowledge in Macbeth 조혜영 p.517-542

『아테네의 타이몬』 = A satire on mammonism in Shakespeare's Timon of Athens : beyond tragedy : 배금주의 비판과 탈비극적 비전 박우수 p.431-455

『자에는 자로』(Measure for Measure)에서 공작의 변장잠행의 숨겨진 목적 = The hidden purposes of the Duke's disguise in Measure for Measure 박효춘 p.457-485

선전선동전의 관점에서 본 『안토니와 클레오파트라』 = Propaganda wars in Antony and Cleopatra : blackening rumours circulated around the donations of Alexandria : 알렉산드리아 영토분할령 전후에 유포된 흑색 루머 도인환 p.393-429

Male heroines and female masters : reconstructing gender through cross-gender acting in Trans-Twelfth Night Boram Choi p.563-585

『베니스의 상인』 = Antonio's melancholy and homosexuality in The Merchant of Venice : 안토니오의 멜랑콜리와 동성애 조경 p.487-515

참고문헌 (22건) : 자료제공( 네이버학술정보 )

참고문헌 목록에 대한 테이블로 번호, 참고문헌, 국회도서관 소장유무로 구성되어 있습니다.
번호 참고문헌 국회도서관 소장유무
1 이행수. 줄리어스 시저: 아이러니 . Shakespeare Review 52.3 (2016): 421-41. Print. 미소장
2 조숙희. 정의 구현과 치유의 상관관계: Julius Caesar와 Caesar Must Die 비교연구 . 고전 르네상스 영문학, 23.1 (2014): 149-74. Print. 미소장
3 조숙희․박혜림. 인간을 변화시키는 힘: Caesar Must Die 연구 . 영어영문학연구, 40.1 (2014): 209-29. Print. 미소장
4 Alexander, Peter, ed. William Shakespeare: The Complete Works. London and Glasgow: Collins, 1966. Print. 미소장
5 “Shakespeare’s Culinary Aesthetic” 네이버 미소장
6 Introduction: Shakespeare and Riot 네이버 미소장
7 Caesar Must Die. Dir. Paolo and Vittorio Taviani. Perf. Giovanni Arcuri, Cosimo Rega, and Salvatore Striano. Sacher Distribuzione, 2012. Film. 미소장
8 Calbi, Maurizio. “‘In States Unborn and Accents Yet Unknown’: Spectral Shakespeare in Paolo and Vittorio Taviani’s Cesare deve morire (Caesar Must Die).” Shakespeare Bulletin 32.2 (Summer 2014): 235-53. Print. 미소장
9 Joseph, Paterson. Julius Caesar and Me: Exploring Shakespeare’s African Play. London: Methuen Drama, 2018. Print. 미소장
10 Lormand, Richard. “Caesar Must Die: A Film by Paolo and Vittorio Taviani.” Film Press Plus. Web. 23 July 2019. 미소장
11 Mandela, Nelson. “Address by President Nelson Mandela at Banquet in Honour of Julius Nyerere, Johannesburg.” South African Government Information Website. Web. 23 July 2019. 미소장
12 Mandela, Nelson. “Closing Address by Former President Nelson Mandela, XIII International Aids Conference.” actupny.org. Web. 23 July 2019. 미소장
13 Miola, Robert S. “Past the Size of Dreaming? Shakespeare’s Rome.” Shakespeare Survey 69. Ed. Peter Holland. Cambridge: Cambridge UP, 2016. 1-16. Print. 미소장
14 Doing Time with Shakespeare: An Interview with Paolo and Vittorio Taviani 네이버 미소장
15 Presto, Suzanne. “Shakespeare Inspired Robben Island Inmates, Including Mandela.” VOA. 17 July 2013. Web. 23 July 2019. 미소장
16 Provisional Committee of the ANC Youth League. “ANC Youth League Manifesto 1944.” South African History Online. Web. 23 July 2019. 미소장
17 Schalkwyk, David. Hamlet’s Dreams: The Robben Island Shakespeare. London: The Arden Shakespeare, 2013. Print. 미소장
18 Scott-Douglass, Amy. Shakespeare Inside: The Bard Behind Bars. London: Continuum, 2007. Print. 미소장
19 Shakespeare's Metamorphosis 네이버 미소장
20 Valentini, Maria. “In Accents Yet Unknown: Reenacting Caesar’s Death in a Roman Prison.” Comparative Drama 50.2/3 (Summer/Fall 2016): 183-94. Print. 미소장
21 Venkatrathnam, Sonny. “Background to The Robben Island Shakespeare.” The Robben Island Shakespeare. By Matthew Hahn. London and New York: Methuen Drama, 2017. xxiii-xxiv. Print. 미소장
22 Wells, Stanley and Gary Taylor, gen. eds. The Oxford Shakespeare: The Complete Works. 2nd ed. Oxford: Clarendon, 2005. Print. 미소장

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