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22대 대한민국 국회 국회정보길라잡이 국회의원검색
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결과 내 검색 동의어 포함
결과 내 검색 동의어 포함

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This study examines how two movies, Little Women of 1994 and 2019, use first-person narrative and mad women’ image in the female literary tradition. The use of first-person narrative promotes the idea that female gender can not be represented by male-centered narratives and value system. The change of a narrative perspective makes it possible for the audience to read the female characters not as elegant ladies in a patriarchal society but as leading feminists who resist the judging system on women in their times. The fact that they use the first-person narrative or autobiographical stories also means that women have continued to write, responding to the need of interpersonal communication, which are one of the main themes in the movies. The two movies also appropriate the image of mad women, which typically symbolizes the fear of female writers who try to establish their identity in the art world dominated by males. Mad women in literary and film texts represents not only the agents of female artists and the image of anger, but the spirit of resistance and subversion in Romanticism. The two movies apply the image of a mad woman to Jo and describe her as wild, untamed, and dauntless for her dream. Other female characters, such as Amy or Beth, are also represented as mad women who have the creative talent and unextinguished artistic energy. The representation of mad women and the usage of the first-person narrative result in anticipating the emergence of a new version of Little Women, which meets the demand of a new era.

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기사명 저자명 페이지 원문 목차
인간 정신의 '도착성'과 죄의식으로서의 공포 : Perverseness of the human psyche and horror as guilt in Edgar Allan Poe’s 'The Black Cat' / 에드가 앨런 포의 「검은 고양이」 김선옥 p. 1-21

루이스 어드릭의 『사랑의 묘약』에 나타난 문명 위기와 타자 윤리학 = The crisis of civilization and ethics of the other in Louise Erdrich’s Love Medicine 박경숙 p. 23-42

Wartime sexual violence, traumatic memory and narrative in Nora Okja Keller’s Comfort Woman and Chang-rae Lee’s A Gesture Life Geum Hee Park p. 43-70

응구기와 시옹오의 『피의 꽃잎들』에 나타난 불의 의미 = The meaning of fire in Ngũgĩ wa Thiong’o’s Petals of Blood 서은주 p. 71-91

여성 서사의 전통 : The female literary tradition : a study of Little Women of 1994 and 2019 / 1994년과 2019년 영화 『작은 아씨들』 연구 우승정 p. 93-117

Quotidian resistance to affective biopolitics in Never Let Me Go by Kazuo Ishiguro Seul Ki Lee p. 119-137

글로리아 네일러의 『베일리의 카페』 : Gloria Naylor’s Bailey’s Cafe : discovery of sexuality, birth of subject, and healing ritual / 섹슈얼리티의 발견, 주체의 탄생, 치유의례 이연숙 p. 139-169

셸리의 자연관 : Shelley’s view of nature : necessity in 'Ode to the West Wind' / 「서풍에 부치는 송시」에 나타난 필연성 이일재 p. 171-187

Against the usage-based approach to substratum transfer : Singapore English one Chonghyuck Kim p. 189-230

Effects of scaffolding instruction on Chinese EFL students' English learning autonomy and academic achievement Luxiting, Na-Young Kim p. 231-264

Over-characterized constructions of double prefixal verbs in old English Sujin Park p. 265-286

플립러닝을 활용한 효과적인 의사소통능력 향상방안에 관한 사례연구 = Case study on improving English language proficiency using flipped learning 서은미 p. 287-303

2015 영어과 교육과정 교과서에 나타난 의사소통기능의 사용 분포 및 특성 분석 = Analysis of the distribution and characteristics of communicative functions used in English textbooks based on the 2015 national curriculum 신동광 p. 305-329

English palatalization in leniting processes revisited Kwan Young Oh p. 331-354

영어 폐쇄음 삽입 = Stop epenthesis in English 임진아, 양선기 p. 355-374

유형별 청자의 명절 갈등 표현 해석 양상 연구 : A study on interpretation patterns about Korean holiday conflict expressions on the basis of hearer’s type : job seekers’ cases / 취업준비생을 중심으로 한승훈 p. 375-403

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