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결과 내 검색 동의어 포함

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Art is a mirror that reflects the world. That’s why Shakespeare’s plays implicitly or explicitly represent the political and social changes in England and the reality of the society at that time. In the age of Shakespeare, England was in the transition from the feudal monarchy to the early modern one and from the medieval feudal-aristocratic society to the emerging bourgeois capitalism.

Most of Shakespeare’s plays contain a variety of aspects and visages of such political and social changes. Hence, I traced the social or political conflicts and values between the old and new orders, and the old and new system, resulting in the fluctuating landscapes of characters’ rise and fall mainly through analysis focusing on Shakespeare’s three works, Coriolanus, King Lear and Richard II.

Unable to read the changes and harsh reality of the times, the three heros symbolizing the old world like the glorious General Coriolanus, King Lear and King Richard fell into the tragic destiny.

In contrast to the harsh reality, we can also find a good world in Shakespeare’s plays. They are the three good societies remembered in Western history: the pastoral society, the utopian society, and the Garden of Eden society. However, those societies are utopias that cannot be realized either in reality or in the future.

In that respect, I believe that Shakespeare had a vision for a ‘good society’ that may be difficult in reality but is feasible in the future. This is because he hid in the play the elements of hope for building a better society for all mankind. They are the values ​​of equality, freedom, fraternity, and empathy. How would Shakespeare react if he time-traveled to the present London? He prophesied 400 years ago, “Oh, brave new world!”

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권호기사 목록 테이블로 기사명, 저자명, 페이지, 원문, 기사목차 순으로 되어있습니다.
기사명 저자명 페이지 원문 목차
최재서의 『햄맅』 = A comprehensive analysis on Choi Jae-seo’s translation of Hamlet : 수용사적 의의 및 번역의 우수성과 문제점 권오숙 p. 157-188

신경제비평의 관점에서 본 벤 존슨 = Ben Jonson and new economic criticism : capitalist fantasy and coprophilia in The Alchemist : 『연금술사』에 나타난 환상의 자본과 분변 음욕증(淫慾症) 도인환 p. 189-224

색채의 상징성과 플롯 변형 = Color symbolism and plot transformation : a comparative analysis of The Banquet and Hamlet : <야연>(The Banquet)과 『햄릿』(Hamlet)의 비교분석 박기호 p. 225-252

셰익스피어 극에 나타난 당대의 사회상과 ‘좋은 사회’에 대한 비전 = Social aspects of the time and a vision of ‘good society’ in Shakespeare’s plays 안병대 p. 253-283

계열의 만남과 사건 = Encounters of series and events : deconstruction of the black/white dialectic in Fat Ham : 『팻 햄』의 흑백 변증법 해체 이희구 p. 285-306

한나 아렌트의 생명정치 맥락에서 읽는 『말괄량이 길들이기』 = The Taming of the Shrew in the context of biopolitics by Hannah Arendt 장선영 p. 307-334

알고리즘 연극을 통한 『햄릿』의 현대적 재해석 = A modern reinterpretation of Hamlet in algorithmic theater : a study of Annie Dorsen’s A Piece of Work : 애니 도슨의 <조각난 작품> 연구 최보람 p. 335-357

Z세대의 칙릿(Chick-lit) = Chick-lit of gen Z : rewriting Shakespeare’s Romeo and Juliet in Rosaline : <로잘린>을 통해 보는 셰익스피어 『로미오와 줄리엣』 다시 쓰기 황연 p. 359-381

Navigating a wheel of nature : Shakespeare’s reflections on nature in King Lear Seung Cho p. 383-414

(An) existentialist revision of Shakespeare’s skepticism in Hamlet, the Walking Man Yehrim Han p. 415-436

“Soft, here follows prose” : feelings that travel between prose and verse in Twelfth Night Eonjoo Park p. 437-459

Everyday people’s reparative guilt and revolutionary rehearsals in Taylor Mac’s Gary: A Sequel to Titus Andronicus Dohyun Shin p. 461-488

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