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22대 대한민국 국회 국회정보길라잡이 국회의원검색
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This article scrutinizes how Byron's “Churchill's Grave,” composed in June-July 1816, foreshadows three interlocking concerns such as loss of life, renown, and spiritual perseverance illuminated in Childe Harold's Pilgrimage IV. The author, who was impressed by Charles Churchill's satirical works from adolescence, elucidates his reflections on the latter's death, reputation as a writer, and inner tenacity beyond his temporal existence. These contemplative thoughts and sensations are manifested through Byron's intensive portrayal of an actual visitation of Churchill's tomb, entailing his observations on mortality, ironic consequences of human aspirations, and the invisible entities of spiritual tenacity and permanence. Byron's elegiac poems of 1807, like the Newstead Abbey and Harrow writings in his first publication of Hours of Idleness (1807), explore similar literary topics by dealing with the fleeting nature of the protagonist's own life and demise of his family forefathers. The speaker of “Churchill's Grave,” however, expands on such prominent objects of his earlier works into another person, namely eminence among the literati whose writings the poet has read since youth. This is where Byron revisits this striking poem of 1816 when extending the aforementioned thematic concepts into a grand scale by incorporating historical figures and diverse Italian cities in Childe Harold's Pilgrimage IV.

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