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This article offers a comprehensive reassessment of segmentation (fenzhang) and sequencing (bianlian) in the Guodian bamboo-slip text “Liude” (Six Virtues). Starting from the 1998 Jingmen Museum editio princeps, we compare key proposals: Qiu Xigui’s cautious partial reconnection (slips 7–8), Li Ling’s principle of prioritizing contiguous readable units, Chen Wei’s “co-compilation thesis” (integrating Liude with Zunde yi and Cheng zhi wen zhi), Shan Yuchen’s systematization, and Zhang Guye’s “new arrangement” (micro-moves of slips 1–5, 47, 48 and use of verso marks). Evaluated along two axes—codicological evidence (length, string-hole spacing, script, verso marks) and internal textual logic (argument flow, thematic cohesion, stylistics, intertextual controls)—our findings support the co-compilation framework at the macro level (due to strong physical concordance and doctrinal continuity across virtue–role–duty and “Heavenly Constants” modules). At the micro level, Zhang’s specific relocations improve both cohesion and alignment with material cues. We further show how disputed loci (e.g., “governing inside/outside the gate,” “wei fu jue jun”) shift interpretive weight under different arrangements, demonstrating that ordering is itself interpretive. We propose a two-tier “evidence-weighted rule”: (1) prioritize codicological constraints; (2) validate with readability and intertextual comparison. Situating Liude vis-à-vis Wuxing (virtue ethics vs role ethics), we argue that Liude articulates an early Confucian role-ethical architecture with the “Ren-inside/Yi-outside” principle contextualized across mourning, family, and civic domains. Future convergence requires high-resolution IR/multispectral imaging, cross-corpus collation with Tsinghua/Shanghai slips, and standardized digital workflows.

This article offers a comprehensive reassessment of segmentation (fenzhang) and sequencing (bianlian) in the Guodian bamboo-slip text “Liude” (Six Virtues). Starting from the 1998 Jingmen Museum editio princeps, we compare key proposals: Qiu Xigui’s cautious partial reconnection (slips 7–8), Li Ling’s principle of prioritizing contiguous readable units, Chen Wei’s “co-compilation thesis” (integrating Liude with Zunde yi and Cheng zhi wen zhi), Shan Yuchen’s systematization, and Zhang Guye’s “new arrangement” (micro-moves of slips 1–5, 47, 48 and use of verso marks). Evaluated along two axes—codicological evidence (length, string-hole spacing, script, verso marks) and internal textual logic (argument flow, thematic cohesion, stylistics, intertextual controls)—our findings support the co-compilation framework at the macro level (due to strong physical concordance and doctrinal continuity across virtue–role–duty and “Heavenly Constants” modules). At the micro level, Zhang’s specific relocations improve both cohesion and alignment with material cues. We further show how disputed loci (e.g., “governing inside/outside the gate,” “wei fu jue jun”) shift interpretive weight under different arrangements, demonstrating that ordering is itself interpretive. We propose a two-tier “evidence-weighted rule”: (1) prioritize codicological constraints; (2) validate with readability and intertextual comparison. Situating Liude vis-à-vis Wuxing (virtue ethics vs role ethics), we argue that Liude articulates an early Confucian role-ethical architecture with the “Ren-inside/Yi-outside” principle contextualized across mourning, family, and civic domains. Future convergence requires high-resolution IR/multispectral imaging, cross-corpus collation with Tsinghua/Shanghai slips, and standardized digital workflows.

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동일본대지진 전승시설 내 ‘카타리베(語り部, 재난증언자)’의 역할과 과제 = Transmitting disaster memory : the role and challenges of Kataribe (disaster storytellers) in Fukushima’s 3.11 Memorial Museums 노지현, 박용구 p. 21-41
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杜甫七言律诗中虚词运用研究 = 두보 칠언 율시중 허사 운용 연구 崔仲植 p. 145-161
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郭店楚簡 ｢六德｣ 分章 및 編聯 論議 = Reconstructing the Guodian “Liude” (Six Virtues) : a synthesis of segmentation (Fenzhang) and sequencing (Bianlian) through codicological and textual evidence : 물리증거와 텍스트 논리의 교차 검증에 의한 종합적 재구성 강신석 p. 199-220
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当操纵者被看见 = 조종자가 보일 때 : 중국 인형극 조종사의 가시화, 관람 메커니즘의 재구성과 권력 은유 : 中国木偶戏操纵师可视化、观看机制重组与权力隐喻 王一丹 p. 239-255
ハイブリッド授業およびハイフレックス授業における利点の研究 = 하이브리드 수업 및 하이플렉스 수업의 이점 연구 : 다분야 및 어학교육의 횡단적 문헌조사를 통해 : 多分野および語学教育の横断的な文献調査を通して 石塚健 p. 257-280
나쓰메 소세키(夏目漱石)의 미완의 정신적 순례 = Natsume Sōseki’s unfinished spiritual pilgrimage : Angya, Hi-ninjō, Mono, and Sokuten Kyoshi : 행각(行脚)·비인정(非人情)·모노(もの)·칙천거사(則天去私)를 중심으로 정승운 p. 281-294
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