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List of Figures=ⅶ

Notes on Contributors=ⅷ

Acknowledgements=xi

List of Abbreviations=xiii

1. Introduction:Rethinking Women and Politics in Early Modern England/James Daybell=1

2. Sisterhood, Friendship and the Power of English Aristocratic Women, 1450-1550/Barbara J. Harris=21

3. A Rhetoric of Requests:Genre and Linguistic Scripts in Elizabethan Women's Suitors' Letters/Lynne Magnusson=51

4. Politics in the Elizabethan Privy Chamber:Lady Mary Sidney and Kat Ashley/Natalie Mears=67

5. Portingale Women and Politics in Late Elizabethan London/Alan Stewart=83

6. Negotiating Favour:the Letters of Lady Ralegh/Karen Robertson=99

7. 'Suche newes as on the Quenes hye wayes we have mett':the News and Intelligence Networks of Elizabeth Talbot, countess of Shrewsbury(c.1527-1608)/James Daybell=114

8. Esther Inglis and the English Succession Crisis of 1599/Tricia Bracher=132

9. The Cavendish-Talbot Women:Playing a High-Stakes Game/Sara Jayne Steen=147

10. Aristocratic Women, Power, Patronage and Family Networks at the Jacobean Court, 1603-1625/Helen Payne=164

11. Anne of Denmark and the Historical Contextualisation of Shakespeare and Fletcher's Henry Ⅷ/Susan Frye=181

12. Mothers, Lovers and Others:Royalist Women/Jerome de Groot=194

13. Beyond Microhistory:the Use of Women's Manuscripts in a Widening Political Arena/Elizabeth Clarke=211

14. Loyal and Dutiful Subjects:English Nuns and Stuart Politics/Claire Walker=228

15. Assuming Gentility:Thomas Middleton, Mary Carleton and Aphra Behn/Valerie Wayne=243

Index=257

Figure 7.1. Letter from Hugh Fitzwilliam to Elizabeth, countess of Shrewsbury, 28 July 1570. Folger X.d.428(28), fol. 1Superscript v. By permission of the Folger Shakespeare Library=119

Figure 9.1. Elizabeth Talbot, countess of Shrewsbury, by unknown artist, 98.8㎝ × 78.7㎝, oil on canvas, c. 1590(NPG 203). By courtesy of the National Portrait Gallery, London=150

Figure 9.2. Mary Talbot, countess of Shrewsbury(misidentified as Queen Elizabeth), by unknown artist of the English school, late sixteenth century. Hardwick Hall, The Devonshire Collection(The National Trust). Photograph:Photographic Survey, Courtauld Institute of Art=151

Figure 9.3. Lady Arbella Stuart, by Marcus Gheeraerts the Younger, 200㎝ × 117㎝, oil on canvas, c. 1605(GAC 399). ⓒ Queen's Printer and Controller of HMSO, 2001. UK Government Art Collection=152

Figure 10.1. Paul van Somer, attr., 1Superscript st Earl of Monmouth and his family, 224㎝ × 213㎝, oil on canvas, c. 1617. By courtesy of the National Portrait Gallery, London=167

Figure 10.2. Manner of William Larkin, Lucy Harington, Countess of Bedford(pre-1972 restoration), 198㎝ × 126㎝. By courtesy of the Swedish National Portrait Collection, Gripsholm Castle.［Copyright of the photograph remains with the Nationalmuseum, Stockholm.］=168

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