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Translator's Foreword=ⅶ

Chapter One:The 'Metaphysics of the Artist'=1

1. Nietzsche's philosophy behind masks=1

2. The fundamental equation of being and value. The perspective of The Birth of Tragedy from the Spirit of Music=7

3. The psychology of art and art as cognition of the world=13

4. 'Socratism' against tragic wisdom. Concerning truth and falsity in the extra-moral sense=20

5. Untimely Meditations. Culture and Genius. Philosophy in the tragic age of the Greeks=27

Chapter Two:Nietzsche's Enlightenment=34

1. The psychology of unmasking and the scientific perspective. Human, All Too Human=34

2. The philosophy of the morning(Dawn and The Gay Science)=42

Chapter Three:The Proclamation=51

1. Form, style and structure of Thus spoke Zarathustra=51

2. The overman and the death of God=57

3. The will to power=65

4. The eternal return:Of the, vision and the riddle, Before Sunrise=72

5. The eternal return:the cosmological conception of the problem of morality. The recurrence of the same=80

6. The eternal recurrence:Of the Great Yearning=89

7. The eternal recurrence:The Seven Seals. Zarathustra and the Higher Man=98

Chapter Four:The Destruction of the Western Tradition=107

1. The transcendental creation of value. Beyond Good and Evil=107

2. The Genealogy of Morals=114

3. The Antichrist and The Twilight of the Idols=121

4. The ontological idea and the moral ideal=129

5. The posthumous work The Will to Power. The problem of nihilism=137

6. The negative ontology of the thing=145

7. Discipline and Breeding-the Dionysian world=154

Chapter Five:Nietzsche's Relationship to Metaphysics as Imprisonment and Liberation=164

1. The four transcendental dimensions of the problem of being and the basic principles of Nietzsche's philosophy. The cosmic concept of play as an extra-metaphysical question=164

Notes=175

Index=182

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Nietzsche's Philosophy traces the passionate development of Nietzsche's thought from the aestheticism of The Birth of Tragedy through to the late doctrines of the "will to power" and "eternal return".Inspired by the phenomenological method of Edmund Husserl and by the work of Martin Heidegger, Fink exposes the central themes of Nietzsche's philosophy, revealing the philosopher who experiences thinking as a fate and who ultimately searches for an expression of his own ontological experience in a negative theology.

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