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Abbreviations=xi

Introduction=1

Part Ⅰ:Music

Chapter One. MUSICA NATURANS:DETERRITORIALIZING THE REFRAIN=13

Music and Cosmos in Antiquity

Rhythm and the Refrain

From Milieus to Territories

Messiaen and the Composition of Time

The Music of the Birds

Chapter Two. MUSIC IN TIME:HISTORY AND BECOMING=33

Becoming-Woman, Becoming-Child

Transverse Becomings of Musical Invention

Classical Form, Romantic Variation

The Problem of the People

VarSmall e, grave accentse and the Modern Sound Machine

Cosmic People and the History of Discernibility

Chapter Three. NATURA MUSICANS:TERRITORY AND THE REFRAIN=55

Ethology and Territoriality

Von UexkSmall u, umlaut markll and Musical Milieus

Ruyer and the Melodies of Developmental Biology

Structural Coupling and Natural Drift

Function and Aesthetics

The Autonomous Refrain

Part Ⅱ:Painting

Chapter Four. FACES=79

Hand and Mouth, Tool and Face

Regimes of Signs and the Faces of Power

White Wall, Black Hole

The Abstract Machine of Faciality

The Face and the Gaze

From the Gaze to the Face

Deterritorializing the Face

Primitive Heads, Christ-Face, Probe Heads

Chapter Five. FORCES=111

The Figural

Systole and Diastole

The Brutality of Fact

Forces

Chapter Six. COLOR=131

Analogical Modulation

Haptic and Optic

Ground and Foundation

Excursus on the Gothic Line

Haptic Colorism

Analogue Diagrammatic Modulation

Part Ⅲ:The Arts

Chapter Seven. SENSATION AND THE PLANE OF COMPOSITION=163

Sensation

Plane of Immanence, Plane of Composition

Virtual and Possible

Conclusion=187

Specific Domains

Elective Affinities

Notes=197

Works Cited=211

Index=217

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Deleuze on music, painting, and the arts 이용현황 표 - 등록번호, 청구기호, 권별정보, 자료실, 이용여부로 구성 되어있습니다.
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Bogue provides a systematic overview and introduction to Deleuze's writings on music and painting, and an assessment of their position within his aesthetics as a whole. Deleuze on Music, Painting and the Arts breaks new ground in the scholarship on Deleuze's aesthetics, while providing a clear and accessible guide to his often overlooked writings in the fields of music and painting.