일반도서
Thinking about the Elgin marbles : critical essays on cultural property, art and law
저자사항
John Henry Merryman
발행사항
Alphen aan den Rijn : Kluwer Law International ; Austin : Wolters Kluwer Law & Business, c2009
청구기호
344.094 -A10-2
자료실서울관
서고(열람신청 후 1층 대출대)
형태사항
viii, 595 p. ; 25 cm
표준번호/부호
ISBN: 9789041128751
제어번호
MONO2201011074
주기사항
Includes bibliographical references and index
연계정보
외부기관 원문
이용현황보기
Thinking about the Elgin marbles : critical essays on cultural property, art and law 이용현황 표 - 등록번호, 청구기호, 권별정보, 자료실, 이용여부로 구성 되어있습니다.
등록번호
청구기호
권별정보
자료실
이용여부
0001551045
344.094 -A10-2
서울관 서고(열람신청 후 1층 대출대)
이용가능
출판사 책소개
The new edition of this insightful work begins with a critical reexamination of the rival Greek and British claims to the Elgin Marbles. That case study identifies the questions that continue to dominate the growing international debate about cultural property policy and which are subsequently explored in a newly-expanded array of essays: Why are people concerned about cultural property Is cultural nationalism a sound organizing principle for dealing with cultural property questions? Or is it a relic of 19th century romanticism, kept alive by the power of Byron's poetry? How can one rationalize cultural nationalism with the idea that works of art and antiquities are the cultural heritage of all mankind? What are alternative ways of thinking about cultural property policy and law? The work goes on to pay particular attention to the law and policy relating to cultural property export controls and the evolution and development of the 1995 UNIDROIT Convention on the Return of Stolen and Illegally Exported Cultural Property. The second part of this highly-regarded book addresses a number of contemporary art law issues in essays on counterfeit art, the moral rights of artists, the artist's resale right (droit de suite), the litigation over the Mark Rothko estate, and problems of museum trustee negligence, conflict of interests, and misuse of inside information. The author, John Henry Merryman, is an Emeritus and Affiliated Professor in the Department of Art at Stanford Law School. He is a widely respected authority in the fields of international cultural property and art law