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Notes on Contributors
Acknowledgments
Introduction

Part I. The Film Industry: Funding, Production, Distribution, Exhibition
1. Television and the Transformation of the Star System in Brazil
2. Stardom in Spanish America
3. Audiovisual Sector Incentives and Public Policy in Selected Latin American Countries
4. Film, the Audiovisual, and New Technology in Latin America: Public Policy in the Context of Digital Convergence
5. Film Funding Opportunities for Latin American Filmmakers: A Case for Further North-South Collaboration in Training and Film Festival Initiatives
6. The Film Festival Circuit: Identity Transactions in a Translational Economy

Part II. Continental Currents: Documenting and Representing Identities
7. Latin American Documentary: A Political Trajectory
8. The Politics of Landscape
9. From Postmodernity to Post?Identity: Latin American Film after the Great Divide
10. Indigenous Filmmaking in Latin America
11. What Is the Child for Latin American Cinema? Spectatorship, Mobility, and Authenticity in Pedro Gonzalez Rubio’s Alamar (2009)
12 Affect, Nostalgia, and Modernization: Popular Music in Twenty?First?Century Mexican and Chilean Cinema

Part III. National Cinemas: Initiatives, Movements, and Challenges
13. Memories of Cuban Cinema, 1959-2015
14. Politics, Memory and Fiction(s) in Contemporary Argentine Cinema: The Kirchnerist Years
15. Neoliberalism and the Politics of Affect and Self?Authorship in Contemporary Chilean Cinema
16. Popular Cinema/Quality Television: A New Paradigm for the Mexican Mediascape
17. Alumbramento, Friendship, and Failure: New Filmmaking in Brazil in the Twenty-First Century
18. The Reinvention of Colombian Cinema
19. Rendering the Invisible Visible: Reflections on the Costa Rican Film Industry in the Twenty?First Century

Part IV. New Configurations: Travel, Technology, Television
20. The Horizontal Spread of a Vertical Malady: Cosmopolitanism and History in Pernambuco’s Recent Cinematic Sensation
21. Artists’ Cinema in Brazil
22. Brazilian Film and Television in Times of Intermedia Diversification
23. A Mexican in Hollywood or Hollywood in Mexico? Globalized Culture and Alfonso Cuaron’s Films
24. Latin American Cinema’s Trojan Horse

Part V. The Interview Corner: Pragmatics and Praxis
25. “Finding the right balance”: An Interview with Martin Rejtman
26. “Escaping from an ordinary world into a more epic one”: An Interview with Alvaro Brechner
27. “The capacity to create mystery”: An Interview with Pablo Larrain
28. “A story might be similar from different places, but the language of representation is not”: An Interview with Jeannette Paillan
29. “Meeting points”: An Interview with Mariana Rondon and Marite Ugas
30. “Film is about connecting”: An Interview with Diego Luna
31. “The bridge between the others and us”: An Interview with Alejandro Gonzalez Inarritu

Index

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알라딘제공
A Companion to Latin American Cinema offers a wide-ranging collection of newly commissioned essays and interviews that explore the ways in which Latin American cinema has established itself on the international film scene in the twenty-first century.
  • Features contributions from international critics, historians, and scholars, along with interviews with acclaimed Latin American film directors
  • Includes essays on the Latin American film industry, as well as the interactions between TV and documentary production with feature film culture
  • Covers several up-and-coming regions of film activity such as nations in Central America
  • Offers novel insights into Latin American cinema based on new methodologies, such as the quantitative approach, and essays contributed by practitioners as well as theorists


New feature

Latin American films are enjoying unprecedented success with audiences around the world, with filmmakers garnering top awards both in the United States and at international film festivals. A Companion to Latin American Cinema brings together filmmakers, critics, historians, and scholars to provide a wide-ranging collection of newly commissioned essays and interviews that explore the ways in which Latin American cinema has established itself on the international film scene in the twenty-first century

The authors address the important national cinemas of such countries as Mexico, Argentina, and Brazil, as well as the emerging cinematic traditions of Cuba, Bolivia, Guatemala, and others. Interviews with acclaimed auteurs and leading voices of Latin American cinema are also featured, including Mexican filmmaker Alejandro González Iñárritu and Chilean director Pablo Larraín. A variety of thematic, theoretical, and historical perspectives are explored, including new movements and developments in Latin American cinema and how technological advances have allowed smaller South and Central American nations to nurture a film industry without state funding. Scholarly and thought-provoking, A Companion to Latin American Cinema offers bold insights into a cinematic tradition that has emerged at the vanguard of twenty-first-century filmmaking.

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