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22대 대한민국 국회 국회정보길라잡이 국회의원검색
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결과 내 검색 동의어 포함

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1. Introduction
2. The (surprisingly weak) economic case for copyright
3. Copyright and revenue in the recording industry
4. Measuring music output
5. The search for a correlation: was more money associated with more or better music?
6. More money meant less music
7. Rationalizing copyright
Appendices
Index

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Copyright's excess : money and music in the US recording industry 이용현황 표 - 등록번호, 청구기호, 권별정보, 자료실, 이용여부로 구성 되어있습니다.
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0002428139 338.47780973 -A18-1 서울관 법률정보센터(206호) 북큐레이션
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알라딘제공
For more than two hundred years, copyright in the United States has rested on a simple premise: more copyright will lead to more money for copyright owners, and more money will lead to more original works of authorship. In this important, illuminating book, Glynn Lunney tests that premise by tracking the rise and fall of the sound recording copyright from 1961?2015, along with the associated rise and fall in sales of recorded music. Far from supporting copyright's fundamental premise, the empirical evidence finds the exact opposite relationship: more revenue led to fewer and lower-quality hit songs. Lunney's breakthrough research shows that what copyright does is vastly increase the earnings of our most popular artists and songs, which - net result - means fewer hit songs. This book should be read by anyone interested in how copyright operates in the real world.

Tests copyright's fundamental premise that more money will increase creative output using the US recording industry from 1962?2015.

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