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22대 대한민국 국회 국회정보길라잡이 국회의원검색
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1. Introduction
2. Michael Smellie, Global Record Executive
3. Peter Colby, Production and Logistics
4. John Watson, Music Manager
5. Michael Taylor, A&R Manager
6. Stuart Rubin, Global Marketing Manager
7. Shane Simpson, Music Lawyer
8. Shaun James, Music TV
9. Toby Cresswell, Music Journalist
10. Harley Medcalf, Promoter
11. Kate Miller-Heidke and Keir Nuttall
12. Retrospective Conclusions and Predictions

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Music, management, marketing, and law : interviews across the music business value chain 이용현황 표 - 등록번호, 청구기호, 권별정보, 자료실, 이용여부로 구성 되어있습니다.
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알라딘제공
This collection of interviews captures a period of historic change for the global music business along with a wealth of professional knowledge that extends from the late 1960s through to late 2012 when the interviews were conducted. They record the experiences and insights of people who helped to shape a global business that is quickly passing into history and transforming into something entirely new, often because of decisions the interviewees have been directly involved in making. The material includes the aesthetic, artistic, technical, commercial, legal, and strategic aspects of the music industry. What is said is timeless in its historical significance for the music business and in its relevance for researchers engaged in studies on the dynamics of change in the global commercial music landscape.

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This collection of interviews captures a period of historic change for the global music business along with a wealth of professional knowledge that extends from the late 1960s through to late 2012 when the interviews were conducted. They record the experiences and insights of people who helped to shape a global business that is quickly passing into history and transforming into something entirely new, often because of decisions the interviewees have been directly involved in making. The material includes the aesthetic, artistic, technical, commercial, legal, and strategic aspects of the music industry. What is said is timeless in its historical significance for the music business and in its relevance for researchers engaged in studies on the dynamics of change in the global commercial music landscape.

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