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Foreword
Joan La Barbara
Introduction
PART ONE
1 Improvisation and Experimentation
Amiri Baraka on Miles Davis's "penchant for minimalism"
John Coltrane on his recent music (DownBeat, 1960)
Dom Cerulli's liner notes to John Coltrane's Africa/Brass (1961)
Henry Flynt on La Monte Young in the early `60s
Jonathan Cott profiles Yoko Ono (Rolling Stone, 1971)
The New York Times on John Cage's marathon of Erik Satie's Vexations (196))
2 Dream Music
Jill Johnston on La Monte Young and Dream Music ("Village Voice, 1964)
The Theatre of Eternal Music at the East End Theatre (1965)
Tony Conrad replies to critic Peter Yates (1965)
Kate Lloyd on Four Evenings of Music with La Monte Young (Vogue, 1966)
Tim Souster on "sustained sounds" in "pop" and "serious" music (1969)
John Cale, Tony Conrad, and Lou Reed on the early history of the Velvet Underground
3 Loops and Process
Alfred Frankenstein on the premiere of In C (San Francisco Chronicle, 1964) Janet Rotter on the Columbia recording of In C (Glamour, 1969)
Terry Riley's notes on Poppy NoGood's Phantom Band (1967)
Carman Moore reviews Steve Reich's tape music (Village Voice, 1966)
Steve Reich, "Music as a Gradual Process" (1968/1971)
Philip Glass, "Program Notes" (1972)
Michael Nyman interviews British composers on discipline and process (1971)
Henry Higuera on Mother Mallard's Portable Masterpiece Company (1972)
Sally Banes on Meredith Monk's Our Lady of Late (1974)
4 Altered States
Terry Riley's liner notes for A Rainbow in Curved Air (1969)
Marcus Boon interviews Jon Hassell on hashish at the Dream House
Robert Palmer on the musical trend of trance (New York Times, 1975)
Tom Johnson reviews Eliane Radigue's Psi 847 (Village Voice, 1973)
Annea Lockwood and Julie Winter describe their 1970s healing group
Charlie Morrow on Rhys Chatham's chanting (1974)
Linda Cousins interviews Edward Larry Gordon (Laraaji) on "celestial vibration" (1978)
Pauline Oliveros, "On Sonic Meditation" (1976)
5 Gurus and Teachers
La Monte Young on Pandit Pran Nath (Village Voice, 1970)
Alice Coltrane's liner notes to Journey in Satchidananda (1971)
Chungliang Al Huang on Pauline Oliveros and the Ensemble (1973)
San Diego Magazine interviews Pauline Oliveros (1979)
Tricycle: The Buddhist Review interviews Philip Glass (1991)
6 Cultural Fusion
Carman Moore on Terry Jennings and his All-Star Band (Village Voice, 1968)
Angela Dews profiles Alice Coltrane (Essence, 1971)
Steve Reich, "A Composer Looks East" (New York Times, 1973)
Jan Bruer's liner notes to Don Cherry's Organic Music Society (1973)
Arnie Passman on Terry Riley (Berkeley Barb, 1974)
7 Across the Arts
Robert Morris, "Blank Form" (1960)
Yvonne Rainer, "A Quasi Survey of Some `Minimalist' Tendencies in the Quantitatively Minimal Dance Activity Midst the Plethora, or an Analysis of Trio A" (1966)
Alfred Frankenstein on "extended timers" at the Whitney (San Francisco Examiner, 1969)
Lizzie Borden on Charlemagne Palestine's body-as-instrument (1974)
John Rockwell on Yoshi Wada's Earth Horns (New York Times, 1974)
Deborah Jowitt on Laura Dean and Steve Reich's Drumming (Village Voice, 1975)
Joan La Barbara on Alvin Lucier's "sound geographies" (1975)
Amanda Smith profiles Meredith Monk (Ms. magazine, 1977)
8 Ensembles
Steve Reich, "Notes on the Ensemble" (1973)
Meredith Monk on Dolmen Music (1980)
Willoughby Sharp interviews the Philip Glass Ensemble (1974)
PART TWO
9 1976
Tim Page on the ECM release of Music for 18 Musicians (1978)
Steve Reich's program note for Music for 18 Musicians (1976)
John Rockwell on Einstein on the Beach (Village Voice, 1976)
Henry Flynt on Catherine Christer Hennix's The Electric Harpsichord
10 The New Downtown
Rhys Chatham on "Post `60s Traditionalism" (EAR Magazine, 1978)
Peter Gordon replies to Rhys Chatham (EAR Magazine, 1978)
Julius Eastman, "The Composer as Weakling" (EAR Magazine, 1979)
Peter Zummo profiles Arthur Russell (SoHo Weekly News, 1977)
Lee Ranaldo on Rhys Chatham's Guitar Trio
Beth Anderson's "Report from the Front" on the festival New Music, New York (1979)
Wim Mertens interviews John Cage about Glenn Branca's performance at New Music America (1982)
11 Instruments and Environments
Ellen Pullman on her Long String Instrument (1987)
James Fulkerson on Phill Niblock's music (1982)
Yoshi Wada's liner notes to Lament for the Rise and Fall of the Elephantine Crocodile (1982/2007)
Eliot Handelman interviews Maryanne Amacher (1991)
12 Ambient and New Age
Anthony Korner interviews Brian Eno (1986)
Stephen Hill, "New Age Made Simple" (1988)
Dean Suzuki & Bob Doerschuk interview Harold Budd (1986)
Paul Bowler interviews Midori Takada on Through the Looking Glass (2018)
13 Canons
Tom Johnson, "What Is Minimalism Really About?" ("Village Voice, 1977)
Tim Page and Mark Abbott, "Aspects of Minimalism," WKCR festival playlist (1980)
Peter Goodman, "Minimalist Music: Is Less More---or a Bore?" (Newsday, 1984)
Alan Licht, "Minimal Top Ten" (1996)
14 Backlash
Beth Anderson on the first night of New Music, New York at the Kitchen (1979)
Ian MacDonald on minimalism (The Face, 1987)
Charlemagne Palestine, interviewed by Alan Licht (1989)
15 Politics, Identity, and Expression
Rudy Koopmans interviews Louis Andriessen, Reinbert de Leeuw, and Misha Mengelberg "on the occasion of a concert tour by Phil Glass" (1976)
Renate Strauss profiles Julius Eastman (Buffalo Evening News, 19767
Julius Eastman introduces his concert at Northwestern University (1980)
K. Robert Schwarz profiles John Adams (198;)
Steve Reich's program note for Different Trains (1988)
16 Postminimalists
Kyle Gann, "Enough of Nothing: Postminimalism" (Village Voice, 1991)
Libby Van Cleve interviews Michael Gordon on his 1983 composition Thou Shalt!/Thou Shalt Not! (1997)
Libby Van Cleve interviews David Lang (1997)
Julia Wolfe's program note for Lick (1994)
Elodie Lauten, "Composer's Notes" (2009)
Kalvos & Damian interview Ann Southam (1998)
John Adams on the music of Ingram Marshall (1984)
Elena Dubinets interviews Alexandre Rabinovitch-Barakovsky (2010)
Elena Dubinets interviews Sergei Zagny (2020)
Elena Dubinets interviews Nikolai Korndorf (2000)
17 Spiritual Minimalism
John Rockwell on mystical minimalism (New York Times, 1993)
Jamie McCarthy interviews Arvo Part (1986)
Paul Jamrozy on Henryk Gorecki's Symphony No. 3 (The Wire, 2014)
18 Popular Culture
Stephen Holden on disco (High Fidelity, 1979)
Kenny Berkowitz on minimalism's impact on techno (Option, 1997)
PART THREE
19 Histories
Arnold Dreyblatt, "An Open Letter to La Monte Young and Tony Conrad" (2000)
Nico Muhly on Philip Glass's Music in 11 Parts (1017)
Jace Clayton, "Reverence Is a Form of Forgetting" (2020)
David Toop, "Black Minimalism" (2018)
20 Silences
Alex Ross, "Silent Song" (The New Yorker, 2016;
Jurg Frey, "And On It Went" (2004)
Eva-Maria Houben, "Presence---Silence---Disappearance" (2010)
21 Futures
Brandon Stosuy interviews Sunn O)))'s Stephen O'Malley (The Believer, 2006)
Randy Gibson, "On Tuning" (2018)
Philip Sherburne on ambient jazz ("Pitchfork, 2021)
Steve Smith profiles Sarah Hennies (New York Times, 2020)
Fdiane Radigue, "The Mysterious Power of the Infinitesimal" (2009)
Acknowledgments
Listening Guide
Notes
Bibliography
Index

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On minimalism : documenting a musical movement 이용현황 표 - 등록번호, 청구기호, 권별정보, 자료실, 이용여부로 구성 되어있습니다.
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A revisionist history of minimalism's transformative rise, through the voices of the musicians who created it.

When composers like Philip Glass and Steve Reich began creating hypnotically repetitive music in the 1960s, it upended the world of American composition. But minimalism was more than a classical phenomenon—minimalism changed everything. Its static harmonies and groovy pulses swept through the broader avant-garde landscape, informing the work of Yoko Ono and Brian Eno, John and Alice Coltrane, Pauline Oliveros and Julius Eastman, and many others.
 
On Minimalism moves from the style's beginnings in psychedelic counterculture through its present-day influences on ambient jazz, doom metal, and electronic music. The editors look beyond the major figures to highlight crucial and diverse voices—especially women, people of color, and LGBTQ+ musicians—that have shaped the genre. Featuring more than a hundred rare historical sources, On Minimalism curates this history anew, documenting one of the most important musical movements of our time.

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