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Acknowledgments
Introduction
Part I • Transcultural Affinity, Excess, and Contradiction
1 • The Road to Fandom: Joy and Black “Fans” in K-pop
2 • Between Appreciation and Appropriation: Race-Transitioning among Hallyu Fans
3 • Korean Romance for Wholesomeness and Racism? The Transcultural Reception of the Reality Dating Show Single’s Inferno
4 • K-pop and the Racialization of Asian American Popular Musicians
5 • “Soft” Koreans and “Sensual” Cubans: Race, Gender, and the Reception of South Korean Popular Culture in Cuba
Part II • Intersectional Connection and Imaginaries
6 • Latin Orientalism and Anglo Hegemony in Korean Rock: Seo Taiji’s “Moai” (2009)
7 • “I Was Probably Korean in a Previous Life”: Transracial Jokes and Fantasies of Hallyu Fans
8 • Hallyu Dreaming: Making Sense of Race and Gender in K-dramas in the US Midwest and Ireland
9 • When K-pop Meets Islam: Cultural Appropriation and Fan Engagement
10 • “I Can Do Both”: Queering K-pop Idols through the White Discursive Standpoint of TikTok Users
List of Contributors
Index

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Korean pop culture beyond Asia : race and reception 이용현황 표 - 등록번호, 청구기호, 권별정보, 자료실, 이용여부로 구성 되어있습니다.
등록번호 청구기호 권별정보 자료실 이용여부
0003191052 306.0951 -A25-2 서울관 국가전략정보센터(107호) 이용가능

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알라딘제공

Showcases the dynamism of cross-cultural engagement with Korean media

Korean media has exploded in popularity across the globe in the past decade: BTS and other K-pop groups have packed stadiums, Parasite garnered record-breaking critical success, The Masked Singer and Single's Inferno became viral TV hits, and multiday KCON fan events have highlighted not only media but Korean food, cosmetics, and fashion. Exploring how fans from different cultural and racial backgrounds engage with Korean media in local and individual contexts, this edited collection reveals complex transcultural affinities, conflicts, and negotiations. The essays delve into the ways people create meaning from, and shape affinity to, Korean television and music. The book also explores Korean popular culture's influence on audiences' imaginative play, desires, and fantasies, critically examining topics such as TikTok as a space of Asian fetishization, Black YouTubers' K-pop reaction videos, the perception of Korean men in opposition to European hegemonic masculinity, and Middle Eastern fans' responses to appropriation in K-pop. Throughout, the contributors provide perceptive analyses that reveal what the interplay of race and Korean entertainment tells us about the complex nature of transnational fandom.

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